| Title |
Author(s) |
Volume/Issue |
Date |
|
Third Cinema Now
|
Saljoughi, Sara |
vol. 40
no. 1 |
January 2016 |
|
A Necessary Gesture: A review of the Ammodo Tiger Short Film Competition at the International Film Festival Rotterdam (IFFR) 2020
|
Santry, Arron |
vol. 44
no. 3 |
2020 |
|
A Matter of (Informed) Taste
|
Sayad, Cecilia |
vol. 40
no. 1 |
January 2016 |
|
A Fallen Star Over Mulholland Drive: Representation of the Actress
|
Scheibel, Will |
vol. 42
no. 1 |
March 2018 |
|
Kriss Ravetto-Biagioli, The Mythopoetics of Cinema: On the Ruins of European Identity
|
Schmidt, Andrea |
vol. 42
no. 3 |
2018 |
|
Jon Kraszewski, Reality TV
|
Schneider, Molly A. |
vol. 42
no. 3 |
2018 |
|
Dogme Productions, with an Emphasis on the Dog: Revealing Animal Perspectives
|
Seegert, Natasha |
vol. 40
no. 2 |
July 2016 |
|
Cat Videos and the Superflat Cinema of Attractions
|
Shafer, Leah |
vol. 40
no. 2 |
July 2016 |
|
Audiovisual Futures
|
Shaviro, Steven |
vol. 40
no. 1 |
January 2016 |
|
Shell Shocked: On The Laundromat’s Welcome Abrasiveness
|
Sherwood, Ryan |
vol. 43
no. 3 |
2019 |
|
When the Woman Laughs: Genres of Female Laughter in the Films of Alfred Hitchcock
|
Sinaki, Navid |
vol. 44
no. 1 |
2020 |
|
Dancing in Liminal Space: Youth, Waithood, and Transformation in the South African Documentary The African Cypher (2012)
|
Singer, Christine |
vol. 43
no. 2 |
September 2019 |
|
Multiplying Mise-en-Scène: Found Sounds of The Night of the Hunter in Lewis Klahr’s Daylight Moon and Jean-Luc Godard’s Histoire(s) du cinéma
|
Skjerseth, Amy |
vol. 44
no. 1 |
2020 |
|
The Heterotopias of Todd Haynes: Creating Space for Same Sex Desire in Carol
|
Smith, Victoria L. |
vol. 42
no. 1 |
March 2018 |
|
Moral Choices and Social Mobility in Lady Bird and The Graduation
|
Smucker, Sam |
vol. 42
no. 3 |
2018 |
|
Postfeminism, Ambivalence and the Mother in Lynne Ramsay’s We Need to Talk about Kevin (2011)
|
Smyth, Sarah |
vol. 44
no. 1 |
2020 |
|
Art and Realism in a Digital Age
|
Sperling, Joshua |
vol. 40
no. 1 |
January 2016 |
|
The More the Change, the More the Same
|
Staiger, Janet |
vol. 40
no. 1 |
January 2016 |
|
The Delinquency of the Script: Corneliu Porumboiu’s Police, Adjective (2009)
|
Stob, Jennifer |
vol. 41
no. 2 |
October 2017 |
|
The Subject of Film Studies
|
Stoddard, Matthew |
vol. 40
no. 1 |
January 2016 |
|
Aesthetics, Politics, and the Police Hermeneutic: Online Videos of Police Violence Beyond the Evidentiary Function
|
Stork, Benedict |
vol. 40
no. 2 |
july 2016 |
|
The Great Wall: Matt Damon, Zhang Yimou, Edward Zwick and...Dragons?
|
Sullivan, Mac |
vol. 41
no. 3 |
2017 |
