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Title Author(s) Volume/Issue Date
Ellen C. Scott, Cinema Civil Rights: Regulation, Repression, and Race in the Classical Hollywood Era (Rutgers University Press, 2015) Macek, Steve vol. 40 no. 3 2016
Violence and Care in Three Billboards Outside Ebbing, Missouri Manzella, Abigail G. H. vol. 42 no. 3 2018
Scream Queens: Season 1 Marra, Peter vol. 40 no. 3 2016
On the Couch Martin, Adrian vol. 40 no. 1 January 2016
Racquel J. Gates, Double Negative: The Black Image and Popular Culture Martin, Jr., Alfred L. vol. 44 no. 3 2020
Bohemian Normativity: Bohemian Rhapsody and the New Heteronormal McCleerey, Mark vol. 43 no. 3 2019
Women at Work: Money Monster’s Elegant Critique of Men & Media McCleerey, Mark vol. 40 no. 3 2016
Cobra Kai: Franchise Generationality in the Contemporary Reboot McIntyre, Anthony P. vol. 43 no. 3 2019
“The Great Game”: Grids and Boxes in Cold War Screen Spaces McNaughton, Douglas vol. 43 no. 2 September 2019
Binge-Reviews? The Shifting Temporalities of Contemporary TV Criticism McNutt, Myles vol. 40 no. 1 January 2016
“Patton's Flag, and Other Chi-Raq Disasters” Metz, Walter vol. 43 no. 4 2019
"So Shines a Good Deed in a Weary World": Intertextuality in Steven Spielberg's Ready Player One (2018) Metz, Walter vol. 42 no. 4 2018
"Club Sandwich" Metz, Walter vol. 42 no. 4 2018
Lights, Not Out, but Colored Metz, Walter vol. 40 no. 3 2016
The Sounds of Silence: Todd Haynes’ Film Adaptation of Brian Selznick’s Wonderstruck Metz, Walter vol. 42 no. 4 Summer 2018
A Hallmark of the Classical Holiday Cinema, or Meeting Two Christmas Queens Metz, Walter vol. 42 no. 4 2018
The Atomic Gambit of Twin Peaks: The Return Metz, Walter vol. 41 no. 3 Fall 2017
“Far From Toy Trains” Metz, Walter vol. 40 no. 3 2016
“New Englanders, Out of Their Minds” Metz, Walter vol. 40 no. 3 2016
“There’s Something Rotten in Film Criticism, and His Name is, Regrettably, Not Johnny” Metz, Walter vol. 40 no. 1 January 2016
New Cinema, New Critique: French Film Criticism at the Crossroads, 1960 Morari, Codruţa vol. 41 no. 1 Februrary 2017
Utopia and the Biopolitics of Race: Channel 4’s Utopia (2013-15) Mousoutzanis, Aris vol. 43 no. 2 September 2019
Looking Back: Versions of the Post-Apocalypse in Contemporary North-American Cinema Moya, Ana; López, Gemma vol. 41 no. 1 February 2017
“Witness, Worker, Mercenary: Race and Labor in the New Culture Industries” Mukherjee, Roopali vol. 40 no. 1 January 2016
Chuck Tryon, On-Demand Culture: Digital Delivery and the Future of Movies (Rutgers University Press, 2013) Murphy, Ian vol. 40 no. 3 2016
Coincidence and Counterfactuality: The Multiple Plot Structure of The Talented Mr. Ripley (1999) Murphy, Terence Patrick; Walsh, Kelly S. vol. 42 no. 1 March 2018