| Title |
Author(s) |
Volume/Issue |
Date |
|
Ephemeral (Mis-)Encounter, or Male Melancholia for the Mother in Jinho Hur’s Christmas in August (1998) and One Fine Spring Day (2001)
|
Kang, Kyoung-Lae |
vol. 42
no. 1 |
March 2018 |
|
Hye Seung Chung and David Scott Diffrient, Movie Migrations: Transnational Genre Flows and South Korean Cinema
|
Kang, Kyoung-Lae |
vol. 41
no. 3 |
2017 |
|
Between Textuality and Materiality: Fandom and the Mediation of Action Figures
|
Keidl, Philipp Dominik |
vol. 42
no. 2 |
November 2018 |
|
Media Journeys 2018: Animation in Transnational Contexts
|
Kennell, Amanda |
vol. 42
no. 3 |
2018 |
|
The Academic Film Blog (2000-2015), A Eulogy
|
Klein, Amanda Ann |
vol. 40
no. 1 |
January 2016 |
|
What is Evaluative Criticism?
|
Klevan, Andrew |
vol. 40
no. 1 |
January 2016 |
|
The Gentrification of John Waters
|
Koob, Nathan |
vol. 43
no. 1 |
March 2019 |
|
Art House Convergence
|
Kozma, Alicia |
vol. 42
no. 3 |
2018 |
|
Soundscapes of an Outbreak
|
Kressbach, Mikki |
vol. 44
no. 4 |
2020 |
|
Bird Box and Apathetic Blindness
|
Küçük, Serdar |
vol. 43
no. 3 |
2019 |
|
New Experiments in Cinema: The 71st Locarno Film Festival
|
Kudláč, Martin |
vol. 42
no. 3 |
2018 |
|
The Many Forms of Islamophobia
|
Kulkarni, Damini |
vol. 42
no. 3 |
2018 |
