Title |
Author(s) |
Volume/Issue |
Date |
Eliciting Euphoria Online: The Aesthetics of “ASMR” Video Culture
|
Gallagher, Rob |
vol. 40
no. 2 |
June 2016 |
On Not Running in Place
|
Ganguly, Keya |
vol. 40
no. 1 |
January 2016 |
Encounters with the Forbidden: Satyajit Ray’s Pratidwandi and Jana Aranya
|
Ganguly, Suranjan |
vol. 44
no. 1 |
January 2020 |
“Blinking and Thinking: The Embodied Perceptions of Presence and Remembrance in Gaspar Noe’s 'Enter the Void'”
|
Gazi, Jeeshan |
vol. 41
no. 1 |
February 2017 |
Brave New Beginnings: The 70th Berlin Film Festival
|
Gemünden, Gerd |
vol. 44
no. 3 |
2020 |
The Extraordinary Women of the Lido: The 76th Venice International Film Festival
|
Gemünden, Gerd |
vol. 43
no. 3 |
2019 |
Dieter Kosslick Takes a Bow: The 69th Berlin Film Festival
|
Gemünden, Gerd |
vol. 43
no. 3 |
2019 |
Where to, Berlinale? The 68th Berlin Film Festival
|
Gemünden, Gerd |
vol. 42
no. 3 |
2018 |
Between Resistance and Affirmation: The 2017 Berlin Film Festival
|
Gemünden, Gerd |
vol. 41
no. 3 |
2017 |
Over the Fence, Across the Water: The 66th Berlin Film Festival
|
Gemünden, Gerd |
vol. 40
no. 3 |
2016 |
Fassbinder's Mother Küsters Goes to Heaven (1975) in a Genealogy of the Arbeiterfilme
|
Gerhardt, Christina |
vol. 41
no. 1 |
February 2017 |
Hogwarts House Merchandise, Liminal Play, and Fan Identities
|
Godwin, Victoria L. |
vol. 42
no. 2 |
November 2018 |
In the Name of "The Ambiguity of the Real": Romanian Cinematic Realism after the 2000s
|
Gorzo, Andrei |
vol. 41
no. 2 |
October 2017 |
“What If They Are Just Actors Playing Roles?” Family Romance, LLC and the Limits of Imagination
|
Goto, Miyabi |
vol. 43
no. 3 |
2019 |
Beyond Tautology? Audio-Visual Film Criticism
|
Grant, Catherine |
vol. 40
no. 1 |
January 2016 |
Jonathan Goldberg, Melodrama: An Aesthetics of Impossibility
|
Grant, Matthew J.M. |
vol. 41
no. 3 |
2017 |
Storage Wars: A Reading After the Weinstein Scandal
|
Green, Doyle |
vol. 41
no. 3 |
Fall 2017 |
Welcome to Minneapolis (or, Then Came the Last Days of May)
|
Greene, Doyle |
vol. 44
no. 4 |
2020 |
"Imagine" There's a COVID-19 Pandemic
|
Greene, Doyle |
vol. 44
no. 4 |
2020 |
Backhanded Compliment: International Women’s Day and Daily Blast Live
|
Greene, Doyle |
vol. 44
no. 4 |
2020 |
Rally ‘Round the Flag: Patton and the Question of Political Satire
|
Greene, Doyle |
vol. 43
no. 4 |
2019 |
When Slayer Met the Bangles: Détournement and Bill McClintock’s Mashups
|
Greene, Doyle |
vol. 43
no. 4 |
2019 |
The Gift That Keeps on Giving: on the Classical Holiday Studio System
|
Greene, Doyle |
vol. 42
no. 4 |
2018 |
Supergirl vs. Overgirl
|
Greene, Doyle |
vol. 42
no. 4 |
2018 |
Who's on First? (or, Anyone for Seconds?)
|
Greene, Doyle |
vol. 42
no. 4 |
2018 |
Narrative Capital: A Mother’s Revenge, Lifetime, and the Culture Industry
|
Greene, Doyle |
vol. 42
no. 4 |
2018 |
Will the Real Omarosa Please Stand Up? CBS and the Spectacle of Trumpism
|
Greene, Doyle |
vol. 42
no. 4 |
2018 |
The Good Old Days: Will and Grace and Roseanne rebooted for Trumpism
|
Greene, Doyle |
vol. 42
no. 4 |
2018 |
The More Things Change: Andy Cohen's Then and Now
|
Greene, Doyle |
vol. 42
no. 3 |
2018 |
Hard Work Is Its Own Reward: Forged in Fire
|
Greene, Doyle |
vol. 41
no. 3 |
2017 |
At Home, He’s a Tourist: The Odyssey of Anthony Bourdain
|
Greene, Doyle |
vol. 41
no. 3 |
2017 |
Strange Bedfellows: Comedy Central, Trumpism, and the Paid Programming Bloc
|
Greene, Doyle |
vol. 41
no. 3 |
2017 |
Don’t Believe the Hype (or, How to Frame a Progressive): Local Media Coverage and the Minnesota Fifth Congressional Primary
|
Greene, Doyle |
vol. 44
no. 4 |
2020 |
Towards an (Aesth)etiquette of Torture: Polite Form in Zero Dark Thirty and Standard Operating Procedure
|
Greer, Amanda |
vol. 41
no. 1 |
February 2017 |
“‘What Will Students Ever Do with That?’”
|
Griffin, Hollis |
vol. 40
no. 1 |
January 2016 |
Banality and Online Videos
|
Groening, Stephen |
vol. 40
no. 2 |
July 2016 |
Introduction: The Aesthetics of Online Videos
|
Groening, Stephen |
vol. 40
no. 2 |
June 2016 |
Uncontained Pomposity, or Masculinity in The West Wing
|
Groening, Stephen |
vol. 44
no. 4 |
2020 |
"If It’s Love, It Must Work Out:" Pedro Costa’s Vitalina Varela and Modes of Hauntology
|
Guetti, Edward |
vol. 44
no. 1 |
2020 |
Film Criticism: the Challenge of the Specific
|
Gunning, Tom |
vol. 40
no. 1 |
January 2016 |