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Title Author(s) Volume/Issue Date
The Need for Empathy at 2017 Cannes Badt, Karin Luisa vol. 41 no. 3 2017
The Memeification of Jean-Luc Godard Baek, Andrew vol. 42 no. 3 2018
Beyoncé’s “Formation” Ball, Kevin vol. 40 no. 3 2016
“Untitled”: Black Sounds and Music Video as an Object of Study Ball, Kevin D. vol. 40 no. 1 January 2016
Complicity in Darren Aronofsky's mother! (2017) Bandonis, Molly vol. 43 no. 3 2019
Dennis Hopper’s Pop Art Misery: Revisiting the Image of the American Flag for Easy Rider's Fiftieth Anniversary Batsakis, Joanna Elena vol. 43 no. 4 2019
A Tale of Two Pools Becque, Simone vol. 40 no. 3 2016
The Hotel Wants What the Hotel Wants: A Review of The Leftovers, “International Assassin” (Craig Zobel, 2015) Becque, Simone vol. 40 no. 3 2016
Let’s Fight Ghost: The Afterlife Leading the Living Bedolla, Michelle vol. 41 no. 3 2017
A Case for Close Analysis Belton, John vol. 40 no. 1 January 2016
At the Margins of the Bromance: A Queer Reading of The Hangover Part III and Its Promotional Materials Benson, Chloe vol. 41 no. 1 February 2017
Confessions of a Platform Agnostic, or Film Criticism after Film Benson-Allott, Caetlin vol. 40 no. 1 January 2016
How to Live Together with Her (2013): Posthuman Forms of Roland Barthes’ Idiorrhythmy Bergmann, Max vol. 44 no. 1 January 2020
Jans B. Wager, Jazz and Cocktails: Rethinking Race and the Sound of Film Noir Berke, Annie vol. 43 no. 3 2019
Freddie versus Maya: A Textual Analysis of Two Narrative Structurations of (Post)colonial ‘Brown’ Subjectivity as read through Lacanian Film Theory Beshara, Robert K. vol. 43 no. 1 2019
Disease, Disaster Noir, and Cinematic Panic Biesen, Sheri Chinen vol. 44 no. 4 2020
Flags à la Noir: Reframing Patriotism in the Post-War Films of Fred Zinnemann Biesen, Sheri Chinen vol. 43 no. 4 2019
Democratizing the Screen: 'Cinematizing' and 'Musicalizing' Social Justice, Politics, and the Vote Biesen, Sheri Chinen vol. 44 no. 4 2020
A Mood of Dissonance: Unpinning Ambiguity in Gus Van Sant’s Elephant Bowens, Max vol. 41 no. 1 February 2017
Precarious Spaces and Subjects in Transition: Postcommunism and Romanian Moving Image Art Brebenel, Mihaela vol. 43 no. 2 September 2019
Bernie Cook, Flood of Images: Media, Memory, and Hurricane Katrina Bronstein, Phoebe vol. 41 no. 3 2017
Amateurism and the Aesthetics of Lego Stop-Motion on YouTube Brownlee, Shannon vol. 40 no. 2 June 2016
The Film Critic Between Theory and Practice; (Or: What Every Film Critic Needs to Know) Buckland, Warren vol. 40 no. 1 January 2016