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Title Author(s) Volume/Issue Date
The Academic Film Blog (2000-2015), A Eulogy Klein, Amanda Ann vol. 40 no. 1 January 2016
Aesthetics, Politics, and the Police Hermeneutic: Online Videos of Police Violence Beyond the Evidentiary Function Stork, Benedict vol. 40 no. 2 july 2016
After the Farm Crisis: The Critique of Neoliberal Society in What's Eating Gilbert Grape? Denton, Stacy vol. 42 no. 1 March 2018
Alexander Zahlten, The End of Japanese Cinema: Industrial Genres, National Times, and Media Ecologies Landa, Amanda vol. 42 no. 3 2018
Allyson Nadia Field, Uplift Cinema: The Emergence of African American Film and the Possibility of Black Modernity Payton, Philana vol. 41 no. 3 2017
Amateurism and the Aesthetics of Lego Stop-Motion on YouTube Brownlee, Shannon vol. 40 no. 2 June 2016
Andy Muschietti's IT: Coming-of-Age and Horror Cinema Towns, Ethan vol. 42 no. 3 Summer 2018
The Apparent Puzzle of Tom Townsend and Whit Stillman’s Metropolitan Foster-Stout, Jesse vol. 44 no. 3 2020
Art and Realism in a Digital Age Sperling, Joshua vol. 40 no. 1 January 2016
Art House Convergence Kozma, Alicia vol. 42 no. 3 2018
At Home, He’s a Tourist: The Odyssey of Anthony Bourdain Greene, Doyle vol. 41 no. 3 2017
At the Margins of the Bromance: A Queer Reading of The Hangover Part III and Its Promotional Materials Benson, Chloe vol. 41 no. 1 February 2017
The Atomic Gambit of Twin Peaks: The Return Metz, Walter vol. 41 no. 3 Fall 2017
Audiovisual Futures Shaviro, Steven vol. 40 no. 1 January 2016