| Title |
Author(s) |
|
Russian Leviathan: Power, Landscape, Memory
|
Vassilieva, Julia |
|
The Heterotopias of Todd Haynes: Creating Space for Same Sex Desire in Carol
|
Smith, Victoria L. |
|
After the Farm Crisis: The Critique of Neoliberal Society in What's Eating Gilbert Grape?
|
Denton, Stacy |
|
From Old Boys to Quiet Dreams: Mapping Korean Art Cinema Today
|
Raymond, Marc |
|
Ephemeral (Mis-)Encounter, or Male Melancholia for the Mother in Jinho Hur’s Christmas in August (1998) and One Fine Spring Day (2001)
|
Kang, Kyoung-Lae |
|
Displaced Persons and Documentary Illusions: Fred Zinnemann’s The Search
|
Connolly, Thomas F. |
|
A Fallen Star Over Mulholland Drive: Representation of the Actress
|
Scheibel, Will |
|
Coincidence and Counterfactuality: The Multiple Plot Structure of The Talented Mr. Ripley (1999)
|
Murphy, Terence Patrick; Walsh, Kelly S. |
|
Fate, Character, and Cyclical Thinking: Cianfrance’s The Place Beyond the Pines
|
Robitzsch, Jan Maximilian |
|
"Too Marvelous for Words": Bogart and Bacall’s Dark Passage Through Myth to the Enlightenment of Modernized Melodrama
|
Donelan, Carol |
