| Title |
Author(s) |
|
Editor's Note: Film Criticism—The Reboot
|
Tompkins, Joe |
|
Ethics and Digital Film
|
Aaron, Michele |
|
Representations of Arabs, Muslims, and Iranians in an Era of Complex Characters and Storylines
|
Alsultany, Evelyn |
|
“Untitled”: Black Sounds and Music Video as an Object of Study
|
Ball, Kevin D. |
|
A Case for Close Analysis
|
Belton, John |
|
Confessions of a Platform Agnostic, or Film Criticism after Film
|
Benson-Allott, Caetlin |
|
The Film Critic Between Theory and Practice; (Or: What Every Film Critic Needs to Know)
|
Buckland, Warren |
|
Feminist Film Criticism in the 21st Century
|
Cobb, Shelley; Tasker, Yvonne |
|
The Glare of Images, and the Question of Value
|
Corrigan, Timothy |
|
The Dysfunction of Criticism at the Present Time
|
Flaxman, Gregory |
|
Ideology Critique and Film Criticism in the New Media Ecology
|
Flisfeder, Matthew |
|
Netflix Crit in the Twenty-First Century
|
Frey, Mattias |
|
On Not Running in Place
|
Ganguly, Keya |
|
Beyond Tautology? Audio-Visual Film Criticism
|
Grant, Catherine |
|
“‘What Will Students Ever Do with That?’”
|
Griffin, Hollis |
|
Film Criticism: the Challenge of the Specific
|
Gunning, Tom |
|
Digital Auteurism in Film Criticism
|
Jeong, Seung-hoon |
|
The Academic Film Blog (2000-2015), A Eulogy
|
Klein, Amanda Ann |
|
What is Evaluative Criticism?
|
Klevan, Andrew |
|
On the Couch
|
Martin, Adrian |
|
Binge-Reviews? The Shifting Temporalities of Contemporary TV Criticism
|
McNutt, Myles |
|
“There’s Something Rotten in Film Criticism, and His Name is, Regrettably, Not Johnny”
|
Metz, Walter |
|
“Witness, Worker, Mercenary: Race and Labor in the New Culture Industries”
|
Mukherjee, Roopali |
|
GIFs: The Attainable Text
|
Newman, Michael Z. |
|
The Task of the Film Critic in Times of Streaming Video
|
Niessen, Niels |
|
The Futures-Market for Film Criticism
|
Polan, Dana |
|
The Power of Black Film Criticism
|
Reich, Elizabeth |
|
In This World, Not Above It
|
Rushton, Richard |
|
Third Cinema Now
|
Saljoughi, Sara |
|
A Matter of (Informed) Taste
|
Sayad, Cecilia |
|
Audiovisual Futures
|
Shaviro, Steven |
|
Art and Realism in a Digital Age
|
Sperling, Joshua |
|
The More the Change, the More the Same
|
Staiger, Janet |
|
The Subject of Film Studies
|
Stoddard, Matthew |
|
The Cinematic Return
|
Verevis, Constantine |
|
Figures for Figuring Out
|
Yu, Chang-Min |
