stand in surprising neighborhood, and, like the words of great men, without cant."
Page 55, note 1. From Beaumont and Fletcher's play The Nice Valour, Act III, Scene 3.
Page 57, note 1. The "Invocation" comes from D. W. Nash's "Taliesin, or the Bards and Druids of Britain, a Translation of the Remains of the Earliest Welsh Bards and an Examination of the Bardic Mysteries" London: John Russell Smith, 1858.
Page 59, note 1. Heimskringla, vol i.
Page 63, note 1. Before this paragraph the following passages occurred in the lecture, on the question of poetry at home:—
"The question is often asked, Why no poet appears in America? Other nations in their early expanding periods, in their war for existence, have shot forth the flowers of verse, and created a mythology which continued to charm the imagination of after-men. But we have all manner of ability, except this: we are brave, victorious, we legislate, trade, plant, build, sail, and combine as well as many others, but we have no imagination, no constructive mind, no affirmative books; we have plenty of criticism, elegant history; all the forms of respectable imitation; but no poet, no affirmer, no grand guiding mind, who intoxicates his countrymen with happy hopes,—makes them self-respecting, with faith that rests in their own minds, and is not imported from abroad;—and, first of all, our lives are impoverished and unpoeted, that is, inhuman. The answer is, for the time, to be found in the preoccupation of all men. The work of half the world to be done: and it is the hard condition of Nature, that, where one faculty is excessive, it lames all the rest. We are the men of practice, the men of our hand, and, for the time, our brain
