for the faculty is reason it self; so that dia∣lectica est ars: as for their distribution in Schooles, that ars doth 〈 in non-Latin alphabet 〉〈 in non-Latin alphabet 〉, and scientia onely 〈 in non-Latin alphabet 〉〈 in non-Latin alphabet 〉, or contemplare, it is a bable, we see scientia is the know∣ledge of the Art, and ars is rei, as A••ithmetick is of number, Geometry of magnitude, &c. and Logick of reason, so that the scientia or Theory of Art is fallacia accidentis, to take it for the art it self, and is as if we should say, a painted man is a true man, ergo, when we say a man is a good Logician, we mean a man hath that knowledge of reason, and so for o∣ther arts; so that our knowledge of an art is no more of the essence of it, then my knowledge of a man is of the essence of the man. Again, when I say the knowledge of an Art, I say two things, know∣ledge, and art, which are subject and adjunct, ergo, knowledge is but accidental to the art. For bene disserendi there are many adversaries, and one grand enemy, some say it is rather ars bene utendi ratione, but 〈 in non-Latin alphabet 〉〈 in non-Latin alphabet 〉 is an adjunct to art, and it is 〈 in non-Latin alphabet 〉〈 in non-Latin alphabet 〉 not artis, as for example, we cannot say, the Merchant, or Marriner useth the Shipwrights art, but his work, but this is the chief absurdity that it breaks the form into peices.
Kickerman cries out against Ramus for this defi∣nition, and sayes it is a trope, ergo, ought not to be in art, he forgets his rules, for Rhetorick is a general art, ergo, it may be every where, but saith he, is it not bet∣ter to teach with proper words, then with tropical, they are fit for simple men, not for judicious? I will confess it, and Ramus too, for Grammar is before Rhetorick, ergo, should be preferred: yet Tropes may be as plain, and as significant as other words some∣times; but I make no doubt, but that disserere is ever