The arte of English poesie Contriued into three bookes: the first of poets and poesie, the second of proportion, the third of ornament.

About this Item

Title
The arte of English poesie Contriued into three bookes: the first of poets and poesie, the second of proportion, the third of ornament.
Author
Puttenham, George, d. 1590.
Publication
At London :: Printed by Richard Field, dwelling in the black-Friers, neere Ludgate,
1589.
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Subject terms
Poetics -- Early works to 1800.
Link to this Item
http://name.umdl.umich.edu/A68619.0001.001
Cite this Item
"The arte of English poesie Contriued into three bookes: the first of poets and poesie, the second of proportion, the third of ornament." In the digital collection Early English Books Online 2. https://name.umdl.umich.edu/A68619.0001.001. University of Michigan Library Digital Collections. Accessed June 17, 2024.

Pages

The figure Ouall.

This figure taketh his name of an egge, and also as it is thought

Page 84

his first origine, and is as it were a bastard or imperfect rounde declining toward a longitude, and yet keeping within one line for his periferie or compasse as the rounde, and it seemeth that he re∣ceiueth this forme not as an imperfection by any impediment vn∣naturally hindring his rotunditie, but by the wisedome and pro∣uidence of nature for the commoditie of generation, in such of her creatures as bring not forth a liuely body (as do foure footed beasts) but in stead thereof a certaine quantitie of shapelesse matter con∣tained in a vessell, which after it is sequestred from the dames bo∣dy receiueth life and perfection, as in the egges of birdes, fishes, and serpents: for the matter being of some quantitie, and to issue out at a narrow place, for the easie passage thereof, it must of necessitie beare such shape as might not be sharpe and greeuous to passe as an angle, nor so large or obtuse as might not essay some issue out with one part moe then other as the rounde, therefore it must be slenderer in some part, & yet not without a rotunditie & smooth∣nesse to giue the rest an easie deliuerie. Such is the figure Ouall whom for his antiquitie, dignitie and vse, I place among the rest of the figures to embellish our proportions: of this sort are diuers of Anacreons ditties, and those other of the Grecian Liricks, who wrate wanton amorous deuises, to solace their witts with all, and many times they would (to giue it right shape of an egge) deuide a word in the midst, and peece out the next verse with the other halfe, as ye may see by perusing their meetres.

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