CHAP. IV. Improvements in Musick.
IN Musick it would be too tedious to determine, Whether the Improvement or Alteration hath been greater: Certain it is, That several old English Instruments are laid aside, as the Or∣pharian, the Polyphone, an Instrument surely not to be despised, considering its rare Structue, and the esteem had of it by Learned, and therefore most Judiciously Musical Persons of this Age, viz. Sir F. Pruscan, and Dr. Rugely, The Bandore, the Ghittern, Cittern, &c. The Treble Viol also is much out of Doors, since the Violin came so much in request, The Base, and Lira Viol, in the making whereof, Wroth was, without dispute, the best Workman that ever wrought, keep pretty well in repute, especially the first, because it cannot be wanted well in Con∣sert, &c.
1. The Lute is not wholly laid aside, but within this 20 or 30 Years much neglected, to what it was formerly, notwithstanding the great Improvement of this Instrument among us, within a hundred Years, by reason of the diversity of Tunings received from France, some of whose best Lute-Masters brought over not only these Harp-Tunings, but themselves also, and by their active Hands, and airy Fancies, obliged the Musick-Lovers of our Nation, with Transcendant Harmony.
2. The Fine easie Ghittar, whose Performance is soon gained, at least after the brushing way, hath at this present over-topt the noble Lute. Nor is it to be denied, but that after the pinching way, the Ghittar makes some good work.
3. The Theorbo, which is no other than an Arch-Lute, keeping to the old Tuning, is