The art of painting according to the theory and practise of the best Italian, French, and Germane masters. Treating of the antiquity of painting. The reputation it always had. The characters of several masters. Proportion. Action and passion. The effects of light. Perspective. Draught. Colouring. Ordonnance. Far more compleat and compendious then hath yet been publisht by any, antient or modern. The second edition. By M.S. gent.

About this Item

Title
The art of painting according to the theory and practise of the best Italian, French, and Germane masters. Treating of the antiquity of painting. The reputation it always had. The characters of several masters. Proportion. Action and passion. The effects of light. Perspective. Draught. Colouring. Ordonnance. Far more compleat and compendious then hath yet been publisht by any, antient or modern. The second edition. By M.S. gent.
Author
[Smith, Marshall, fl. 1693].
Publication
London :: printed by M.B. for the author, and are to be sold by R. Bently, in Russel-street, Covent-Garden, and J. Hancock, in Castle Ally by the Royal-Exchange. Price 2s. 6d.,
1693.
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Subject terms
Painting -- Technique -- Early works to 1800.
Link to this Item
http://name.umdl.umich.edu/A60499.0001.001
Cite this Item
"The art of painting according to the theory and practise of the best Italian, French, and Germane masters. Treating of the antiquity of painting. The reputation it always had. The characters of several masters. Proportion. Action and passion. The effects of light. Perspective. Draught. Colouring. Ordonnance. Far more compleat and compendious then hath yet been publisht by any, antient or modern. The second edition. By M.S. gent." In the digital collection Early English Books Online 2. https://name.umdl.umich.edu/A60499.0001.001. University of Michigan Library Digital Collections. Accessed June 17, 2024.

Pages

Page [unnumbered]

The Author to his Book.

GOe Slender Pinnace to a Boist'rous Sea, Where naught but Tempests, Rocks and Quick-Sands be. Such is the Curse attends this Wicked Age, Such are the Actors fill this Spacious Stage, That Impudence must pass for Wit, and they Who'ave most of Malice, bear the greatest Sway. Yet when thou meet'st with Real Wit, Strike Sail, Though they reprove thee sharply, 'tmay Avail; But ev'ry little Bubble of the Town, Will take the Hint, and tell it for his own: That's Hard;—yet let them baul their Lungs away, Thy Fate depends not on a Poets Day. However, in thy Cabin, as they pass, Tell them thou hast a * 1.1 Sympathetick Glass, Will shew a Fool, a Fool; an Asse, an Asse.

Notes

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