The art of painting according to the theory and practise of the best Italian, French, and Germane masters. Treating of the antiquity of painting. The reputation it always had. The characters of several masters. Proportion. Action and passion. The effects of light. Perspective. Draught. Colouring. Ordonnance. Far more compleat and compendious then hath yet been publisht by any, antient or modern. The second edition. By M.S. gent.

About this Item

Title
The art of painting according to the theory and practise of the best Italian, French, and Germane masters. Treating of the antiquity of painting. The reputation it always had. The characters of several masters. Proportion. Action and passion. The effects of light. Perspective. Draught. Colouring. Ordonnance. Far more compleat and compendious then hath yet been publisht by any, antient or modern. The second edition. By M.S. gent.
Author
[Smith, Marshall, fl. 1693].
Publication
London :: printed by M.B. for the author, and are to be sold by R. Bently, in Russel-street, Covent-Garden, and J. Hancock, in Castle Ally by the Royal-Exchange. Price 2s. 6d.,
1693.
Rights/Permissions

This keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the Early English Books Online Text Creation Partnership. Searching, reading, printing, or downloading EEBO-TCP texts is reserved for the authorized users of these project partner institutions. Permission must be granted for subsequent distribution, in print or electronically, of this text, in whole or in part. Please contact project staff at eebotcp-info@umich.edu for further information or permissions.

Subject terms
Painting -- Technique -- Early works to 1800.
Link to this Item
http://name.umdl.umich.edu/A60499.0001.001
Cite this Item
"The art of painting according to the theory and practise of the best Italian, French, and Germane masters. Treating of the antiquity of painting. The reputation it always had. The characters of several masters. Proportion. Action and passion. The effects of light. Perspective. Draught. Colouring. Ordonnance. Far more compleat and compendious then hath yet been publisht by any, antient or modern. The second edition. By M.S. gent." In the digital collection Early English Books Online 2. https://name.umdl.umich.edu/A60499.0001.001. University of Michigan Library Digital Collections. Accessed June 18, 2024.

Pages

Page [unnumbered]

TO THE Honourable Lovers of the Noble Art OF PAINTING: And the Celebrated PROFESSORS of it.

My LORDS and GENTLEMEN,

I Did not think I should so soon by another Edition have an Oppertunity to give you Thanks for your kind re∣ception of the former, the Honour her Majesty hath done my Book, with that of diverss Persons of Quality by their kind Censures of it, puts me above any Concern for the few Enemies I have gotten by it (if such are worthy to be call'd so who have only will, but not power to be so.) Some who have a better Opinion of themselves than (perhaps) they may deserve from others, have thought me Partial in the Characters, but sure I am, I have been Impartial accor∣ding to the best of my Judgement; of what Value that Judgment is, were impertinent for me to declare, since at last my Book must be the Test of it: If any could in∣forme me how to please all I would follow his advice, and

—Erit mihi Magnus Apollo.

That Ingenious Arts have so great Incouragement (which I well perceive by the kind reception of this Trifle) is no small satisfaction to me, although I have no Interest in it otherways then as a well-wisher to my Country, being no Professor only a Lover of the Art of Painting, that it may still more Flourish, till it makes England more Famous then ever Greece was for the Product of Noble Arts and Sciences: Is the hearty desire of

My Lords and Gentlemen,

Your Most Humble Servant M. Smith.

Do you have questions about this content? Need to report a problem? Please contact us.