The art of painting according to the theory and practise of the best Italian, French, and Germane masters. Treating of the antiquity of painting. The reputation it always had. The characters of several masters. Proportion. Action and passion. The effects of light. Perspective. Draught. Colouring. Ordonnance. Far more compleat and compendious then hath yet been publisht by any, antient or modern. The second edition. By M.S. gent.

About this Item

Title
The art of painting according to the theory and practise of the best Italian, French, and Germane masters. Treating of the antiquity of painting. The reputation it always had. The characters of several masters. Proportion. Action and passion. The effects of light. Perspective. Draught. Colouring. Ordonnance. Far more compleat and compendious then hath yet been publisht by any, antient or modern. The second edition. By M.S. gent.
Author
[Smith, Marshall, fl. 1693].
Publication
London :: printed by M.B. for the author, and are to be sold by R. Bently, in Russel-street, Covent-Garden, and J. Hancock, in Castle Ally by the Royal-Exchange. Price 2s. 6d.,
1693.
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Subject terms
Painting -- Technique -- Early works to 1800.
Link to this Item
http://name.umdl.umich.edu/A60499.0001.001
Cite this Item
"The art of painting according to the theory and practise of the best Italian, French, and Germane masters. Treating of the antiquity of painting. The reputation it always had. The characters of several masters. Proportion. Action and passion. The effects of light. Perspective. Draught. Colouring. Ordonnance. Far more compleat and compendious then hath yet been publisht by any, antient or modern. The second edition. By M.S. gent." In the digital collection Early English Books Online 2. https://name.umdl.umich.edu/A60499.0001.001. University of Michigan Library Digital Collections. Accessed June 18, 2024.

Pages

The Author upon the Art of Painting.

IN vain did Jove with Adamantine Chain The bold Prometheus bind; in Vain Does the Rapacious Vulture Gorge his Maw On's Liver, which he never must destroy. Whilst Caucasus Groanes with the Load Of the Presuming Demy-God. And all for's brave Attempt, to Steal Caelestial Fire, His well-wrought Image to Inspire: In Vain this Envy of the Gods, the same Bold Man attempts again, nor fears their Flame.

Page [unnumbered]

Nor Fears their Thunder or their Vultures more: But Counterfits their Vultures, Flames and Thunders Roar, With all th' Artillery of Heaven, And sends it to their Mansions back again.
This hath the Magick Art of Painting done; Nor only Things Inanimate, But e'vn the most Occult Resolves of Fate, And does through all the Labyrinths of Nature Run. Ev'n Man it can Create; Nor Organs, for to make him Speak or Move, Nor Facultys, to make him Hate or Love, The Artist wants, nor sends his Prayers to Heav'n, Pigmalion-like, to have a Spirit giv'n; But Snatches the Caelestial Fire, By which, with th' Misteries of his Art, And Wonders, which his Pencel-Stroaks impart, With Active Souls his Bodys does Inspire.
Why will ye Boast. O! why, y' Immortal Gods, That you alone have got the mighty Ods Of Making Man, and Vast Eternity? Since Painters you those fancy'd Ods do give, For in their Portraitures you Live: And they give you your Immortality: To Jove his Thunder; Venus, Flame; Diana, Chastity; Apollo, Fame; Neptune his Trident; Mars his Plumes and Lance; And t'all, their Attributes, which fill the Lofty Dance. Nay at their will they Summon you below, Their Pleasures and Designs to know; Chastise you for your Vail'd Escapes, Venus for her Adulteries and Jove his Rapes, In all his Metamorphos'd Shapes. And when they please to shew their Jeers and Scorns, Make Bacchus, Drunk; and give to Vulcan, Horns. Then Boast no more your mighty Ods Of Making Man, since Man 'tis Makes the Gods.
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