Page [unnumbered]
When Charming Teraminta. A SONG in Two Parts,
〈♫〉〈♫〉WHen charming Tera—minta Si—ngs, Ev'ry new Air, ev'ry new Air, new Pa-ssion brings; Ev'ry new Air, ev'ry new Air, new Pa—ssion brings: And now—I Fear; Now I Tri—∣umph,
Musica Oxoniensis a collection of songs for one and two voices, with the thorough-bass / publish'd by Francis Smith and Peter de Walpergen ...
About this Item
- Title
- Musica Oxoniensis a collection of songs for one and two voices, with the thorough-bass / publish'd by Francis Smith and Peter de Walpergen ...
- Publication
- Oxford :: Printed by Leon. Lichfield ... and are to be sold by John Walsh ... and John Hare ... at his shop in ... London,
- 1698.
- Rights/Permissions
-
This keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the Early English Books Online Text Creation Partnership. Searching, reading, printing, or downloading EEBO-TCP texts is reserved for the authorized users of these project partner institutions. Permission must be granted for subsequent distribution, in print or electronically, of this text, in whole or in part. Please contact project staff at eebotcp-info@umich.edu for further information or permissions.
- Subject terms
- Songs, English -- Early works to 1800.
- Link to this Item
-
http://name.umdl.umich.edu/A60413.0001.001
- Cite this Item
-
"Musica Oxoniensis a collection of songs for one and two voices, with the thorough-bass / publish'd by Francis Smith and Peter de Walpergen ..." In the digital collection Early English Books Online 2. https://name.umdl.umich.edu/A60413.0001.001. University of Michigan Library Digital Collections. Accessed June 17, 2024.
Pages
Page 2
now, now Des—pair: Now I Tri—umph, now now Des—pair. Her Face at last does all re—move, And my whole Breast con—sents to Love, con—sents to Lo—ve: My whole Breast con∣sents to Love, consents to Lo—ve, con—sents to Love.
Page 3
The tre—mbling Zephirs rou—nd her play, And panting, panting on her Lips wou'd stay. The tre—mbling Zephirs round her play, rou—nd her play: Striving with di—vi—ded Bliss, now wou'd
Page 4
Listen, now wou'd Listen, now wou'd Kiss, now wou'd Kiss, now wou'd Kiss, now, now, now, now, now, now wou'd Kiss,〈♫〉〈♫〉 Till by Her Breath re—puls'd they fly, And in low pleasing Mur—murs dye, And in low pleasing Mur—murs dye. Nor do I
Page 5
ask, that She wou'd give, By some new Note, the Pow'r to Live:〈♫〉〈♫〉 I wou'd ex—pi—ring with the Sound, Dye on the Lips, Dye on the Lips, that gave the Wound, Dye on the Lips, that gave the Wound.
Page [unnumbered]
WHen charming Te—ra—minta Si—ngs, When charming Te—ra—min—ta Si—ngs, Ev'ry new Ai—r, new Pa—ssion brings; Ev'ry new Air, new Air, new Air, new Pa—ssion brings. Now I Re—solve, Now I Tri—umph.
Page 2
now, now, now, now Des—pair: Now I Tri—umph, now, now, now, now Des—pair. Her Face at last does all re—move, and my whole Breast con—sents to Love, my whole Breast con—sents to Love, my whole Breast con—sents to Love, my whole Breast consents, my whole Breast con-sents to Love, con-sents to Love.
Page 3
The tre—mbling Zephirs rou—nd her〈♫〉〈♫〉 play, The tre—mbling Zephirs round her play, and panting,—panting, panting on her Lips wou'd sta—y, rou—nd her play: Striving with di—vi—ded Bliss,
Page 4
now wou'd Kiss, now wou'd Kiss, now wou'd Listen, now wou'd Kiss, now wou'd Kiss, now, now, now, now, now, now, now, now, now, now, now wou'd Kiss, Till by Her Breath re-puls'd they fly, And in low pleasing Murmurs dy—e, And in low pleasing Murmurs dye.
Page 5
I wou'd ex—pi—ring with the Sound, wou'd ex—pi—ring with the Sound, Dye on the Lips, Dye on the Lips, Dye on the Lips, the Lips, that gave the Wound.