The triumph of wit, or, Ingenuity display'd in its perfection. Being the newest and most useful academy, in three parts. Part I. Containing variety of excellent poems, pastorals, satyrs, dialogues, epigrams, anagrams, acrosticks, choice letters with their answers, ... and exactest collection of choice songs. Part II. Containing the whole art and mystery of love in all its nicest intreagues and curious particulars, ... with the description & anatomy of perfect beauty. Part III. Containing the mystery and art of wheedling and canting, with the original and present management thereof, and the ends to which it serves and is employed. Illustrated with poems, songs and various intreagues in the canting language, with the explanation, &c. To which is added, Instructions for dancing with musical notes.

About this Item

Title
The triumph of wit, or, Ingenuity display'd in its perfection. Being the newest and most useful academy, in three parts. Part I. Containing variety of excellent poems, pastorals, satyrs, dialogues, epigrams, anagrams, acrosticks, choice letters with their answers, ... and exactest collection of choice songs. Part II. Containing the whole art and mystery of love in all its nicest intreagues and curious particulars, ... with the description & anatomy of perfect beauty. Part III. Containing the mystery and art of wheedling and canting, with the original and present management thereof, and the ends to which it serves and is employed. Illustrated with poems, songs and various intreagues in the canting language, with the explanation, &c. To which is added, Instructions for dancing with musical notes.
Author
J. S. (John Shirley), fl. 1680-1702.
Publication
[n.p.] :: Printed for Nicholas Bodington at the Golden Ball in Duck-lane,
1688.
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Subject terms
Epigrams, English -- 17th century.
Anagrams -- Early works to 1800.
English wit and humor -- Early works to 1800.
English poetry -- Early modern, 1500-1700.
Link to this Item
http://name.umdl.umich.edu/A60018.0001.001
Cite this Item
"The triumph of wit, or, Ingenuity display'd in its perfection. Being the newest and most useful academy, in three parts. Part I. Containing variety of excellent poems, pastorals, satyrs, dialogues, epigrams, anagrams, acrosticks, choice letters with their answers, ... and exactest collection of choice songs. Part II. Containing the whole art and mystery of love in all its nicest intreagues and curious particulars, ... with the description & anatomy of perfect beauty. Part III. Containing the mystery and art of wheedling and canting, with the original and present management thereof, and the ends to which it serves and is employed. Illustrated with poems, songs and various intreagues in the canting language, with the explanation, &c. To which is added, Instructions for dancing with musical notes." In the digital collection Early English Books Online 2. https://name.umdl.umich.edu/A60018.0001.001. University of Michigan Library Digital Collections. Accessed June 13, 2024.

Pages

A Letter from a Mistriss to tax her Lover with Inconstancy.

Sir,

COu'd I have thought you false after so many Pro∣testations, I had not so easily believed and trusted you with my honour: Little did I think when you made your addresses in so humble a strain accompa∣nying your amorous Discourse with such seemingly serious Protestations, that such falshood attend your Sex; but since by sad Experience I have found that the Seas and Winds are not less stable, nor wandring Fires that delude belated Travellers more false; I am constrained to let you know how much I resent your Ingratitude, though through the strength of mind that always supports me, I could have refrained to let you see what you perhaps may glory to account a woman∣ish weakness in me, and have remain'd as unconcern'd as you; nay done it with that Ease I shook you from my heart; but this I do to prevent your heaping more guilt upon your self by protesting perhaps here∣after your ignorance and innocence, though at the same time you know it to be otherwise; nor is it less in my power to be revenged, wou'd I give my self up to the study of it; but I think it the more gene∣rous and nobler way not to suffer my Soul to sink so low, but rather to leave you to be punished by your conscious guilt, and so from this time rasing you out of my Memory, I date it the happy moment of my recovered freedom, and remain, false man henceforth entirely at my own dispose.

M. Q.

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