The workes of that famous chirurgion Ambrose Parey translated out of Latin and compared with the French. by Tho: Johnson. Whereunto are added three tractates our of Adrianus Spigelius of the veines, arteries, & nerves, with large figures. Also a table of the bookes and chapters.

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Title
The workes of that famous chirurgion Ambrose Parey translated out of Latin and compared with the French. by Tho: Johnson. Whereunto are added three tractates our of Adrianus Spigelius of the veines, arteries, & nerves, with large figures. Also a table of the bookes and chapters.
Author
Paré, Ambroise, 1510?-1590.
Publication
London :: printed by E: C: and are to be sold by John Clarke at Mercers Chappell in Cheapeside neare ye great Conduit,
1665.
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Subject terms
Medicine -- Early works to 1800.
Surgery -- Early works to 1800.
Anatomy -- Early works to 1800.
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"The workes of that famous chirurgion Ambrose Parey translated out of Latin and compared with the French. by Tho: Johnson. Whereunto are added three tractates our of Adrianus Spigelius of the veines, arteries, & nerves, with large figures. Also a table of the bookes and chapters." In the digital collection Early English Books Online 2. https://name.umdl.umich.edu/A55895.0001.001. University of Michigan Library Digital Collections. Accessed June 13, 2024.

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CHAP. XXVII. Of Cerats and Emplasters.

* 1.1SUch affinity there is in the composition of a Cerat and Emplaster, that oftentime; the one is taken for the other, as is usually done in Ointments and Liniments. A Cerat is a composi∣tion more solid and hard then an ointment,* 1.2 and softer then a plaster, having his name from Wax, which taking away the fluidness of the oil bringeth him to his consistence. The differences of Cerats are taken some from the parts by which they are called, as Ceratum stmachicum: some from the effects, as Ceratum refrigerans Galeni: Others from the simple medicaments which are the chief in the composition, as Ceratum Santalinum. The proper matter of Cerats is, new Wax and Oils, being appropriated to the grief of these, or those parts; so that Liniments and Oint∣ments do scarce differ from Cerats, if they admit of Wax: for if ointment of Roses should have Wax added to it, it were no longer an Ointment but a Cerat.

Cerats, which are made with Rosins, Gums, and Metals, do rather deserve the names of Em∣plasters then Cerats. And therefore Ceratum ad Hernias, we commonly call Emplastrum contra Rupturam. If that pain or inflammation do grieve any part, we make Cerats of plaster, dissolved with Oil, lest that the more hard, and heavy consistence of the Emplaster should be troublesome to the part, and hinder perspiration: and therefore laying aside the composition of Cerats, let us speak of Emplasters.

* 1.3An Emplaster is a composition which is made up of all kinde of medicines, especially of fat and dry things, agreeing in one gross, viscous, solid, and hard body, sticking to the fingers. The diffe∣rences of Emplasters are taken from those things, which the variety of ointments are taken from. Of those things which go into the composition of an Emplaster, some are only used for their qua∣lity and faculty, as Wine, Vinegar, Juices. Others to make the consistence, as Litharge (which according to Galen, is the proper matter of Emplasters) Wax, Oil, and Rosin. Others be useful for both, as Gums, Metals, parts of beasts, Rosin, Turpentine to digest, to cleanse, and dry. Of Emplasters, some are made by boiling, some are brought into a form without boiling; those which be made without fire, do sud•••••• y, nor are they viscous: they are made with meal and pow∣der, with some juice, or wit 〈◊〉〈◊〉 umid matter mingled with them. But plasters of this kinde may rather be called hard 〈◊〉〈◊〉, or cataplasms: for plasters properly so called are boiled, some of them longer, som 〈◊〉〈◊〉, according to the nature of those things which make up the composition of the Empl•••• herefore it will be worth our labor to know what Emplasters do ask more, or which less be•••• 〈◊〉〈◊〉 or roots, woods, leavs, stalks, flowers, seeds, being dried, and brought into powder, are 〈◊〉〈◊〉 be added last, when the plaser is boiled as it were, and taken from the fire, least the virtue of these things be lost. But if green things are to be used in a composition, they are to be boled in some liquor, and being pressed forth, that which is strained to be mingled with the rest of the composition; or if there be juice to be used, it is to be bruised and pressed forth, which is so to be boiled with the other things, that nothing for the quality is to remain with the mixture, as we use to do in Empl. de Janna, seu Betonica, & Gratia Dei. The same is to be done with Mucilages, but that by their clamminess they do more resist the fire. But there doth much of oil and hony remain in their plasters when they are made. Those juices which are hardened by concretion, as, Alces, Hypcystis, Acacia, when they are used in the composition of a plaster, and be yet new, they must be macerated and dissolved in some proper liquor, and then they are to be boiled to the consumption of that liquor. Gums, as Opopanax, Galbanum, Sagapenum, Ammonia∣cum, must be dissolved in Wine, Vinegar, or Aqua vitae, then strained and boiled to the con∣sumption of the liquor, and then mixed with the rest of the plaster. And that they may have the exact quantity of Guns, and Pitch, it is necessary that first they be dissolved, strained, and boiled, because of the sticks and sordid matter which are mingled with them. You must have respect also to the liquor you use to dissolve them in; for Vinegar of the best Wine doth more powerfully pe∣netrate, then that which is of weak and bad Wine.

Other Gums, which are drier, are to be powdred, and are to be mingled with plasters last of all. Metals, as, Aes ustum Chalcitis, Magnes, Bolus Armenius, Sulphur, Auripigmentum, and others, which may be brought to powder, must be mingled last, unless advice be given by long boiling to dull the fierce qualities of them. The like consideration is to be had of Rosin, Pitch, and Turpentine, which must be put in after the Wax, and may not be boiled but very gently, but the fats are min∣gled whilst the other things are boiling. The Litharge is to be boiled with the oil to a just consist∣ence, if we would have the plaster dry without biting. Ceuss may endure as long boiling, but then the plaster shall not be white, neither will the Litharge of silver make a plaster with so good a color as Litharge of gold. Moreover, this order must be observed in boiling up of plasters: the Litharge must be boiled to his consistence; juices or mucilages are to be boiled away, then add the fats, then the dry Rosin, Wax-Gums, Turpentine, and after them the powders: You shall know the plaster is boiled enough by his consistence,* 1.4 gross, hard, glutinous, and sticking to the fingers, be∣ing cooled in the air, water, or upon a stone. Also you shall know it by his exact mixtion, if that all the things become one ms hard to be broken.

Page 709

The quantity of things which are to be put into a plaster can hardly be described, but an artifi∣cial conjecture may be given, by considering the medicaments, which make the plaster stiff,* 1.5 and of a consistence, and the just hardness and softness they make being boiled. Wax is not put into such plasters wherein is Labdanum; for that is in stead of Wax. For if there shall be in the com∣position of a plaster some emplastick medicaments, the Wax shall be the less: Contrariwise; if they shall be almost all liquid things, the Wax shall be increased so much, as shall be necessary for the consistence of the plaster. The quantity of the Wax also must be altered according to the time, or the air; therefore it is fit to leave this to the art and judgment of the Apothecary. Emplasters are sometimes made of ointments by the addition of wax, or dry rosin, or some other hard or so∣lid matter. Some would that a handful of medicaments poudred, should be mingled with one ounce, or an ounce and an half of oil, or some such liquor; but for this thing nothng can certainly be determined: Only in plasters described by the Antients there must be great care had, wherein he must be very well versed, who will not err in the describing the dose of them; and therefore we will here give you the more common forms of plasters.

℞. ol chamaem. aneth. de spica, liliacei, an. ℥ ii. ol. de croco, ℥ i. pingued. porci, lb i. pingued. vitul.* 1.6 lb. ss. euphorb. ʒ v. thuris, ʒ x. ol. lauri, ℥ i ss. ranas. viv. nu. vi. pingued. viper. vel ejus loco human. ℥ ii. ss. lumbricor. lotor. in vino; ℥ iii ss. succi ebuli, enul. ana. ℥ ii. scoenanthi, staechados, matricar. an. m. ii. vini oderiferi, lb ii. litharg. auri. lb i. terebinth. clarae, ℥ ii. styracis liquid. ℥ i ss. argenti vivi exstincti, so much as the present occasion shall require, and the sick shall be able to bear, and make up the plaster; they do commonly add four ounces of quick-silver, yet for the most part they do increase the dose, as they desire the plaster should be stronger: the worms must be washed with fair water, and then with a little wine to cleanse them from their earthy filth, of which they are full, and so the frogs are to be washt and macerated in wine, and so boiled together to the consump∣tion of a third part; then the Squinath must be bruised, the Feverfew and the Staechas cut small, and they being added, to be boiled to the consumption of one pint, and being boiled sufficiently, the decoction being cooled shall be strained and kept; and the Litharge is to be infused for twelve hours in the oil of Camomil, dill, Lilies, and the axungia's above spoken of. Then boil them all with a gentle fire, by and by taking Saffron from the fire, and add one quart of the decoction a∣bove spoken of, then set it to the fire again that the decoction may be consumed, and then by de∣grees add to the rest of the decoction: the oil of spike shall be reserved unto the last, which may give the plaster a good smell. Then are added the juices of walwurt and enula, which must be boi∣led untill they be wasted away. Afterwards it being taken from the fire, to the composition is ad∣ded the Franincense and euphorbium, and white wax as much as shall suffice. When the whole mass shall cool, then at last is mingled the quick-silver exstinct, tutpentine, oil of bitter almonds, baies, spike, of line, styrax and axungia, being continually stirred, and it shall be made up upon a stone into rolls. Unless the quick-silver be well extinguished, it will run all into one place, and unless you tarry untill the composition cool, it will vapor away in fume.

℞. croci, ʒii. bdelli, mastich. ammon. styrac. liquid. an ℥ ss. cerae alb. lb ss. tereb. ℥ vi. medul.* 1.7 cruris vaccae, adipis anserini, an ℥ i. oesipi, vel si desit, axung. gallin. ℥ ix. clei nard. quantum satis ad magdaleo∣nes formandos, expressionis scillae, ℥i ss. olibani, sevi vitul. ℥ i. The aesipus, sepum, adeps, medulla, cera, are to be dissolved together; when they cool, add the ammoniacum dissolved in the decoction of fenugreek and camomil, half an ounce, and so much juice of squills, then put to the styrax and tur∣pentine, stirring them continually; then add the bdellium, olibanum, mastich, aloes, brought into fine powder, and when they are perfectly incorporated into a mass, let them be made up with ole∣um nardinum into rolls.

℞. terebinth. lb ss. resin. lbi. cer alb. ℥ iv. mastich. ℥i. fol. verbin. betonic. pimpinel. an. m. i.* 1.8 The herbs being green, the tops are to be cut and bruised in a stone-mortar, and boiled in red wine to the consumption of one third part. To the strained liquor add wax cut into small pieces, and being dissolved by the fire, the liquor being consumed put to the rosin; when it shall cool add the Ma∣stich powdred, working it with your hands, by which it may be incorporated with the rest of the things.

℞. succi beton. plantag. apii, an. lb i. cerae, picis, resin. tereb. ana lb. ss fiat empl.* 1.9 The juices are to be mingled with the wax being dissolved, and boiling them untill three parts be consumed, add the rosin and pitch, which being dissolved and hot, must be strained, and then add the turpentine, and make up the plaster.

℞. croci, picis com. (or rather picis navalis,* 1.10 because this emplaster is used to discuss and draw forth the matter which causeth the pain in the joints) coloph. cerae, an. ℥ ii. tereb. galb. ammon. thuris. myrrhae, mastich. an. ʒ. v ss. The cera, pix, and colophonia are by little and little to be dissolved, to which add the gums dissolved according to art, and mingled with the terebinth; and taking it from the fire add the thus, myrrha, and at last the crocus in fine powder, and then make it into rowls up with oil of worms.

℞. ol. com. lb ii. cerus. subtilis. lb i. boil them together with a gentle fire,* 1.11 stirring them up con∣tinually untill they come to the body of an emplaster: if you would have the plaster whiter, take but ℥ ix. of the oil.

℞. litharg. irit. acet. fortis. an. lb. ss. ol. antiq. lb. i. fiat emplastrum:* 1.12 let the oil be mingled with the litharge for the space of twelve hours; then boil them to a good consistence, putting in the vi∣negar by little and little; but you shall not take it from the fire untill the vinegar be quite wa∣sted away.

Page 710

* 1.13℞. ol. vet. lb. iii. axung. vet. sine sale, lb ii. litharg. trit. lb iii. vitriol. ℥ iv. let the oil be mingled with the litharge for the space of twelve hours; and boil them to a good consistence, then add to the axungia, stirring them continually with a spatter made of the palm-tree, reed, or willow, and being sufficiently boiled, take it from the fire, and add the vitriol in fine powder.

* 1.14℞. picis naval. aloes, an. ℥ iii. litharg. cerae, coloph. galban. ammoniac. an. ℥ ii. visci querni, ℥ vi. gypsi ust. utriusque aristoloch. ana, ℥ iv myrrhae, thuris, an. ℥ vi. tereb. ℥ ii. pulveris vermium terrestrium gal∣lar. utriusqae consolid. vol. arm. an. ℥ iv sang. humani, lb i. fiat emplast. If you would have i of a very good constence, you may add of the oil of myrtils or mastich, lb ss. you shall make it thus: Take the skin of a Ram cut in pieces, and boil it in an hundred pints of water and vinegar untill it come to a glue of stiff gelly, in which you shall dissolve the visc. quer. then add the pitch and was broken into small pieces, and if you will you may add the oil with them, afterwards the gal∣ban and amm•••••• dissolved in vinegar, being mingled with the terebinth, may be added. Then add 〈…〉〈…〉 gyps••••m, bol. aristoloch. consolida, vermes & sang. human. At last the myrrh, thus, co∣lophon and al••••, ••••••ing them continually; and that they may be the better mingled, work the plaster with a hot pe••••il in a mortar.

* 1.15℞. m••••ag. sm. linirad. alth. faenug. median. cortices ulmi, an. ℥ iv. olei liliacei, cham. aneth an. ℥ i ss. ammon. opop•••••• sagap. ana. ℥ ss. croci, ʒ ii. cerae nov. lb ss. tereb. ℥ ss. fiat. emplast. Fernelius hah ℥ xx. of wax: ••••e wax••••eng cut sm ll must be mingled with the oils and the mucilages, stirring them con∣tinua••••y with a wooden spatter till the liquor be consumed. Then the gums dissolved and mingled with the ••••bin••••••ma, must be added, and last of all the saffron finely powdered.

* 1.16℞. ol. ros. myrtil. ung. populeon, ana, ℥ iv. pinguedinis gallin ℥ ii. sebi arietis castrati. sepi vaccini, an. ℥ vi. pingued. porci▪ ℥ x. litharg. auri, argenti, ana. ℥ iii. cerus. ℥ iv. minii, ℥ iii. tereb. ℥ iv. cerae, q s. fiat emplastrum, vel ceratum mlle. The lithargyros, cerussa, and minium are to be brought into fine powder, several∣ly being sprinkled with a little rosewater, lest the finest of it should fly away; these being ming∣led with the oil of roses and myrtles, with a gentle fire may be boiled untill they come to the consistence of hony; then add the axungia's, and boil them till the whole grow black, after add the sebum, and that being dissolved take it from the fire, and then add the unguentum populeon, and some wax if there be need, and so bring it to the form of a plaster.

* 1.17℞. litharg. puri pul. ℥ xii. ol. irin. chamaem aneth. an. ℥ viii. mucag sem. lini, faenug. rad. alth. ficuum. ping. uvar. passar. succi ireos, scillae oesipi, icthyocollae, an. ʒ vii ss. tereb. ℥ iii. res. pini, cerae flavae, an. ℥ ii. fiat emplastrum. The litharge is to be mingled with the oil before it be set to the fire, then by a gen∣tle fire it is to be boiled to a just consistence; after the mucilage by degrees must be put in, which being consumed; the juices must be added and the icthyocolla, and they being wasted too, then put to the wax, rosin, then taking the whole from the fire, add the oesipus and terebinthina.

* 1.18We use plasters when we would have the remedy stick longer and firmer to the part, and would not have the st ength of the medicament to fly away or exhale too suddenly.

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