This keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the Early English Books Online Text Creation Partnership. Searching, reading, printing, or downloading EEBO-TCP texts is reserved for the authorized users of these project partner institutions. Permission must be granted for subsequent distribution, in print or electronically, of this text, in whole or in part. Please contact project staff at eebotcp-info@umich.edu for further information or permissions.
My next Lesson is, * 1.1 the Low Feint, and when you intend to play it, you must remember to have your sword without your Adversaries, and when it is so, make ex∣actly the second Motion of the Double Feint, at the Head, and give in the Thrust above as you did in it, & when you are without di∣stance, approach with the Feint, or first Mo∣tion, and give the Thrust with the second.
May not a Man make a Double Feint up∣on this Lesson?
Yes very well, * 1.2 by only making the Motion with which you was to give in your Thrust above the Sword, a Feint, and give in your Thrust as in the single Feint at the Head, at your Adversaries Arm-Pitt, and when you are without distance, approach with your first Feint or Motion.
Which is the Parade of this Lesson?
You may Parie it either by answer∣ing every Motion, * 1.3 or otherwise make use of the Contre-caveating Parade.
Have you a Contrary to this Lesson?
Yes, you may whon your Adversa∣ry is making his Low Feint, take time, * 1.4 and give him the Thrust above his Sword, with your Nails in Quart, or you may Quart, or Volt, which I shall shew you hereafter.
Which is your next Lesson?
How the single low Feint, is to be played
How the double low Feint is to be played.
The Parade of the Low Feint.
The contra∣ries to the Low Feint.