The heroe of Lorenzo, or, The way to eminencie and perfection a piece of serious Spanish wit / originally in that language written ; and in English by Sir John Skeffington, Kt. and Barronet.

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Title
The heroe of Lorenzo, or, The way to eminencie and perfection a piece of serious Spanish wit / originally in that language written ; and in English by Sir John Skeffington, Kt. and Barronet.
Author
Gracián y Morales, Baltasar, 1601-1658.
Publication
London :: Printed for John Martin and James Allestrye ...,
1652.
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Subject terms
Maxims.
Link to this Item
http://name.umdl.umich.edu/a41737.0001.001
Cite this Item
"The heroe of Lorenzo, or, The way to eminencie and perfection a piece of serious Spanish wit / originally in that language written ; and in English by Sir John Skeffington, Kt. and Barronet." In the digital collection Early English Books Online. https://name.umdl.umich.edu/a41737.0001.001. University of Michigan Library Digital Collections. Accessed June 5, 2024.

Pages

Page 133

EXCELLENCIE XVII.

Toda prienda son affe∣ctation.

Every perfection with∣out affectation.

EVery perfection, eve∣ry excellency, must serve to adorn the Heros, but he must affect none, for affectation is the Con∣terpoids of greatnes.

Affectation is a tacit praysing of ones self, and for a man to com∣mend himself is the su∣rest way to be expos'd to scorn. Perfection must be in a mans self, but praise in

Page 134

others: and 'tis a deserv'd punishment, that he that so foolishly remembers himself, should be as dis∣creetly forgotten by o∣thers.

There is nothing so free from servitude as estima∣tion, it is subject to no ar∣tifice, much lesse to vio∣lence. It yeelds it self soo∣ner to a dumb eloquence of deserts, than to a vanity of ostentation.

A little esteem of ones self hinders a great deal of applause from others.

All wise men judge eve∣ry affected quality rather to be violent than natu∣rall, rather apparent than

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reall, and so it abates much of estimation.

All Narcissuses are fooles, but those that are so in their minds are incu∣rable, because their dis∣ease lyes in the remedie.

So then, if to affect per∣fections be a folly of * 1.1 eight, what degree shall be left for them that affect imperfections? By avoyd∣ing affectation, some fall into the very center of it, while they affect not to affect.

Tiberius lov'd dissimu∣lation, but he knew not how to dissemble his dis∣simulation. The perfecti∣on of an art consists in the

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well disguising of it: and the greatest artifice must be cover'd with a greater than it self.

He that partaking of many perfections, seemes to have none in estimati∣on, is of a double greatnes, for by a generous disdain he awakens the common attention, and seeming to be blind in his own vir∣tues, He makes others o∣pen Argus's eyes upon him.

This may be call'd a miracle of dexterities, for if others rise to greatnes by other wayes, this guides him to a throne of fame by a contrary way, seting him

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