A description of new philosophical furnaces, or A new art of distilling, divided into five parts. Whereunto is added a description of the tincture of gold, or the true aurum potabile; also, the first part of the mineral work. Set forth and published for the sakes of them that are studious of the truth. / By John Rudolph Glauber. Set forth in English, by J.F. D.M.

About this Item

Title
A description of new philosophical furnaces, or A new art of distilling, divided into five parts. Whereunto is added a description of the tincture of gold, or the true aurum potabile; also, the first part of the mineral work. Set forth and published for the sakes of them that are studious of the truth. / By John Rudolph Glauber. Set forth in English, by J.F. D.M.
Author
Glauber, Johann Rudolf, 1604-1670.
Publication
London :: Printed by Richard Coats, for Tho: Williams, at the signe of the Bible in Little-Britain,
1651.
Rights/Permissions

To the extent possible under law, the Text Creation Partnership has waived all copyright and related or neighboring rights to this keyboarded and encoded edition of the work described above, according to the terms of the CC0 1.0 Public Domain Dedication (http://creativecommons.org/publicdomain/zero/1.0/). This waiver does not extend to any page images or other supplementary files associated with this work, which may be protected by copyright or other license restrictions. Please go to http://www.textcreationpartnership.org/ for more information.

Subject terms
Distillation -- Early works to 1800.
Gold -- Therapeutic use -- Early works to 1800.
Alchemy -- Early works to 1800.
Link to this Item
http://name.umdl.umich.edu/A86029.0001.001
Cite this Item
"A description of new philosophical furnaces, or A new art of distilling, divided into five parts. Whereunto is added a description of the tincture of gold, or the true aurum potabile; also, the first part of the mineral work. Set forth and published for the sakes of them that are studious of the truth. / By John Rudolph Glauber. Set forth in English, by J.F. D.M." In the digital collection Early English Books Online. https://name.umdl.umich.edu/A86029.0001.001. University of Michigan Library Digital Collections. Accessed June 10, 2024.

Pages

The colouring of the aforesaid mass follows, in which it is made most like to Gemmes.

IT behooveth that colours be taken from metals and mine∣rals, namely from copper, iron, gold, silver, Wismuth, Mag∣nesia and Granate: of other colours I know nothing of cer∣tainty, copper commonly makes a colour green like the Sea, copper of iron grass-green; Granate smaragdine colour, iron yellow or Iacynth; Gold the best skie colour; Wismuth common skie colour; Magnesia Amethystine: mixt, they give other colours; E. gr. Gold mixt with Silver gives an Amethyst colour; Iron and Copper, a pale green; Wismuth and Mag∣nesia, a purple; Silver and Magnesia various colours like an Opal.

Images are also made of diverse colours, if the masses of diverse colours be broken into bits and mixt be put upon the type, &c. And if thou desirest an opac mass (green, red, skie colour, &c.) add a little calx of Tin darkning, on which as on a Basis the colours insist. For example; in making a Tur∣coise stone or a Lazulus, mingle to the Azuremade of the sil∣ver Marcasit or Zafora (to colour the mass) the calx of tin, that they may melt together, and before the impression be made, put upon the type some prepared gold, then spread and put upon this the aforesaid glass; and the fusion and impression being

Page 285

made, let be made thence having golden veines like lapis Lazu∣lus very delightful; But there must be calx, gold is not loosing its splendor in the fire, such as is made by Mercury, or that, which better is precipitated out of Aqua regia, of which above.

Do you have questions about this content? Need to report a problem? Please contact us.