Metallick mixture for the matter of the glass.
THere are diverse of these mixtures of which one is al∣wayes better then the other, which by how much tis the harder, by so much the glass is the better; and by how much the harder the metal is, by so much the better it is polisht, nor doth the hardness of the mixture suffice but its whitness is required: for red proceed from too much copper; becoming black from too much iron, or duskie from too much tin, doth not make the true representations of things, but changeth the shape and colour of them: for example sake, too much cop∣per makes shapes too red, and so of the rest; let therefore the metallick mixture be very white, but if burning glasses are made, it is no matter what colour it be of, if so be that the mixture be hard. I will set down one of the best, ℞. of copper plates the thinnest beaten to pieces one part, of white Arsenick a quarter, first moisten the plates with the liquor of the salt of Tartar, and make a bed upon a bed with plates and Arsenick powdred, by sprinkling this on them, until the crucible be filled; to which powre to the oyle of flax as much as sufficeth to cover the copper and Arsenick: which done put to the cover with the best lute, then place the crucible (the lute being dryed) in sand, so that only the up∣per part of the cover may stick out and administer fire by de∣grees, at first little; Secondly, somewhat stronger, till at length it be hot that all the oyle may evaporate; in the mean time the oyle shall prepare the copper and retaine the Arsenick and shall make it enter into the plates like oyle piercing dry leather: Or place the crucible upon a grate and put fire on it,