Five nevv playes, viz. The English moor, or the mock-marriage. The love-sick court, or the ambitious politique: Covent Garden weeded. The nevv academy, or the nevv exchange. The queen and concubine. / By Richard Brome.
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Title
Five nevv playes, viz. The English moor, or the mock-marriage. The love-sick court, or the ambitious politique: Covent Garden weeded. The nevv academy, or the nevv exchange. The queen and concubine. / By Richard Brome.
Author
Brome, Richard, d. 1652?
Publication
London, :: Printed for A. Crook at the Green Dragon in Saint Pauls Church-yard, and for H. Brome at the Gunn in Ivy-Lane,
1659.
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"Five nevv playes, viz. The English moor, or the mock-marriage. The love-sick court, or the ambitious politique: Covent Garden weeded. The nevv academy, or the nevv exchange. The queen and concubine. / By Richard Brome." In the digital collection Early English Books Online. https://name.umdl.umich.edu/A77567.0001.001. University of Michigan Library Digital Collections. Accessed June 6, 2024.
Pages
ACT. 4. SCENE. 4.
Millicent. Phillis.
Mil.
I have heard thy story often, and with pittyAs often thought upon't, and that the father,
descriptionPage 59
Of my best lov'd Theophilus, together withHis, then, friend Master Meanwell (who have sinceBecome each others deathsman astis thought)By suits in Law wrought the sad overthrowOf thy poor Fathers fortune; by which means,Poor Gentleman he was enforc'd to leaveHis native Country to seek forrain meanesTo maintain life.
Phi.
Or rather to meet death.For since his traval, which is now six years,I never heard of him.
Mil.
Much pittiful!
Phi.
So is your story, Mistress unto me.But let us dry our eyes; and know we must notStick in the mire of pitty; but with labourWork our delivery: yours is now at handIf you set will and brain to't. But my honor(If a poor wench may speak so) is so crack'dWithin the ring, as 'twill be hardly solder'dBy any art. If on that wicked fellow,That struck me into such a desperate hazard.
Mil.
He will be here to night, and all the crewAnd this must be the night of my delivery,I am prevented else for ever, wench.
Phi.
Be sure, among the guests, that you make choiseOf the most civil one to be your convoy,And then let me alone to act your Mores part.
Mil.
Peace, he comes.
Enter Quic.
Phi.
Ile to my shift then.
Exit. Phi.
Quic.
Wher's my hidden beauty?That shall this night be glorious.
Mil.
I but wait the good hourFor my deliverance out of this obscurity.
Quic.
Tis at hand.So are my guests. See some of'em are enter'd.
Enter Nat.
O my blith friend, Master Nathaniel, welcome.
Arthur.
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And Master Arthur Meanwell as I take it.
Nat.
Yes, Sir, a Gentleman late posses'd with sadnes,Whom I had much a do to draw alongTo be partaker more of your mirth then chear.You say here shall be mirth. How now, what's that?Ha'vou a black coney berry in your house?
Quic.
Stay Catelina. Nay, she may be seen.For know, Sirs, I am mortified to beautySince my wives death. I will not keep a faceBetter then this under my roof I ha'sworn.
Ar.
You were too rash, Sir, in that oath, if IMav be allowed to speak.
Quic.
Tis done and past, Sir.
Nat.
If I be not taken with yon'd funeral face,And her two eyes the scutcheons, would I were whipt now.
Art.
Suppose your friends should wish you to a matchProsperous in wealth and honour.
Quic.
Ile hear of none, nor you if you speak so.
Art.
Sir, I ha'done.
Nat.
It is the handsom'st RogueI have ere seen yet of a deed of darkness;Tawney and russet faces I have dealt with,But never came so deep in blackness yet.
Quic.
Come hither Catelyna. You shall see, Sir,What a brave wench she shall be made anonAnd when she dances how you shall admire her.
Art.
Will you have dancing here to night.
Quic.
Yes I have borrowed other Moors of MerchantsThat trade in Barbary, whence I had mine own here,And you shall see their way and skill in dancing.
Nat.
He keeps this Rie-loaf for his own white white toothWith confidence none will cheat him of a bit;Ile have a sliver though I loose my whittle.
Quic.
Here take this key, twill lead thee to those orna∣mentsThat deck'd thy mistress lately. Use her casket,And with the sparklingst of her jewels shine;Flame like a midnight beacon with that face,
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Or a pitch'd ship a fire; the streamers glowingAnd the keel mourning, (how I shall rejoyceAt these prepostrous splendours) get thee glorious;Be like a running fire-work in my house.
Nat.
He sets me more a fire at her. Well old stick breechIf I do chance to clap your Barbary buttockIn all her bravery, and get a snatchIn an odd corner, or the dark to nightTo mend your chear, and you hereafter hear on't,Say there are as good stomacks as your own,Hist, Negro, hist.
Mil.
No fee, O no, I darea notta.
Nat.
Why, why—pish—pox I love thee,
Mil.
O no de fine white ZentilmannaCannot a love a the black a thing a.
Nat.
Cadzooks the best of all wench.
Mill.
O take—a heed—a my mastra see—a.
Nat.
When we are alone, then wilt thou.
Mil.
Then I shall speak a more a.
Nat.
And Ile not lose the Moor-a for more then IWill speak-a.
Quic.
I muse the rest of my invited GallantsCome not away.
Nat.
Zooks the old angry justice.
Enter Testy.
Tes.
How comes it Sir, to pass, that such a newesIs spread about the town? is my Neece dead,And you prepar'd to mirth Sir, hah?Is this the entertainment I must findTo welcome me to town?
Quic.
She is not dead, Sir. But take you no noticeYou shall have instantly an entertainment, thatShall fill you all with wonder.
Tes.
Sure he is mad;Or do you understand his meaning sirs?Or how or where his wife died?
Nat.
I know nothing;
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But give me leave to fear, by his wild humor,He's guilty of her death; therefore I hopeHee'l hang himself anon before us allTo raise the mirth he speaks of.
Art.
Fie upon you.Yet trust me, sir, there have been large constructions,And strong presumptions, that the ill made matchBetwixt her youthful beauty and his covetous age;Between her sweetness and his frowardnessWas the unhappy means of her destruction;And you that gave strength to that ill tied knotDo suffer sharply in the worlds opinion,While she, sweet virgin, has its general pity.
Tes.
Pray what have you been to her? I nere found youAppear a suiter to her.
Art.
I nere saw her,Nor ever should have sought her, Sir; For sheWas onely love to my sworne enemy,On whom yet (were she living and in my giftRather a thousand times I would bestow herThen on that man that had, and could not know her.
Tes.
I have done ill; and wish I could redeemThis act with half my estate.
Nat.
This Devels bird,This Moor runs more and more still in my mind.
Enter Ʋin. & Edm.
O are you come? And ha'you brought your sceneOf Mirth along with you?
Ʋin.
Yes, and our actorsAre here at hand: But we perceive much businessFirst to be set a foot. Here's Revels towards.
Ed.
A daunce of furies or of BlackamoresIs practising within;
Ʋin.
But first there is to be some odd collationIn stead of supper.
Nat.
Cheap enough I warrant,But saw you not a Moor-hen there amongst'em.
Ed.
A pretty little Rogue, most richly deck'd
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With pearls, chains and jewels. She is queenOf the Nights triumph.
Nat.
If you ••h••nce to spy meTake her aside, say nothing.
Ed.
Thou wilt filchSome of her jewels perhaps.
Nat.
Ile draw a lot
Enter Quicksands.
For the best jewel she wears. But mum my Masters.
Quic.
Enter the house pray Gentlemen: I am readyNow with your entertainment.
Exit.
Tes.
Wee'l follow you.
Nat.
N••w for six penny custards, a pipkin of bak'dPears, three sawcers of stew'd prunes, a groats worthOf strong ale, and two peniworth of Gingerbread.
Ext. 3.
Tes.
If she does live (as he bears me in handShe is not dead) Ile tell you briefly, Sir,If all the law bodily and ghostly,And all the conscience too, that I can purchaseWith all the wealth I have can take her from him,I will recover her, and then bestow her(If you refuse her) on your so you speak of,(whose right she is indeed) rather then heShall hold her longer. Now mine eyes are open'd.Will you walk in.
Ar.
I pray excuse me, Sir,
Exi••, Enter Mili. white. fac'd & in her ovvn habit.
I cannot fit my self to mirth.
Tes.
Your pleasure.Mil. Have I with patience waited for this ••ou••,And does fear check me now? I'le break through all,And trust my self with yon'd mildeGentleman.He cannot but be noble.
Art.
A goodly creature!The Rooms illumin'd with her; yet her lookSad, and cheek pale, as if a sorrow suck'd it.Hovv came she in? What is she? I am fear▪struck.Tis some unresting shaddow. Or, if not,
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What makes a thing so glorious in this house,The master being an enemy to beauty?She modestly makes to me.
Mil.
Noble Sir,—
Art.
Speaks too.
Mil.
If ever you durst own a goodness,Now crown it by an act of honour and mercy.
Art.
Speak quickly; lose no time then: say, what are you?You look like one that should not be delai'd.
Mil.
I am th'unfortunate woman of this house,To all mens thoughts at rest. This is the faceOn which the Hell of jealousie abus'dThe hand of Heaven, to fright the world withall.
Ar.
Were you the seeming Moor was here?
Mil.
The same;And onely to your secresie and pittyI have ventur'd to appear my self again.
Ar.
What's to be done? Pray speak, and tis perform'd.
Mil.
In trust and Manhood Sir, I would commitA great charge to you, even my life and honorTo free me from this den of misery.
Art.
A blessed tasque! But when you are freed Lady—
Mil.
I would desire Sir, then to be convei'd.—
Ar.
Whither? to whom? speak quickly: why do you stoop?
Mil.
Pray let that rest. I will relieve your troubleWhen I am freed from hence, and use some others.
Art.
Nay, that were cruelty. As you love goodness tell me.
Mil.
Why dare you bear me Sir, to one you hate.
Art.
What's that, if you love? Tis your peace I wait on.I look upon your service, not mine own.Were he the mortall'st enemy flesh bred upTo you I must be noble.
Mil.
You profess—
Ar.
By all that's good and gracious, I will dieEre I forsake you, and not set you safeWithin those walls you seek.
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Mil.
Then, as we passIle tell you where they stand, Sir.
Ar.
You shall grace me.
Exit.
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