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CHAP. XXVII. The Theological Interpretations given to these Hieroglyphicks, according to the Mind of Flammel the Author.
I. OVer against one of the Pillars of the Charnel-house, which I gave to the Church-yard of the Innocents, I caused to be painted a Man all black, who looks directly on these Hieroglyphicks, who pro∣nounces, I see a Wonder at which I am much amazed: Also three Plates of Iron and Copper, on the East, West, and South, of the a∣forenamed Arch where these Hieroglyphicks are, in the midst of the Church∣yard, representing the holy Passion and Resurrection of the Son of God.
II. Whose Interpretation in a Theological sense is, that this Black Man pro∣claims it a wonder as well to see the admirable Works of God, in the Transmuta∣tion of Metals, figured in those Hieroglyphicks, which he so attentively beholds, as to see the Resurrection of the Dead to the fearful and terrible Day of Judgment.
III. But the Earthen Ves∣sel on the right hand of these Figures, within the which there is a Pen-case and Ink∣horn (or rather a Vessel of Philosophy, if you take a∣way the Strings, and joyn the Pen-case near to the Ink∣horn) and the other two like it, on the two sides of the Fi∣gures of Peter and Paul, in the one of which is put N. for Nicholas, and in the o∣ther F. for Flammel, have no Theological sense, but only that as they are 3. in number, so that I have done