The art of painting wherein is included the whole art of vulgar painting, according to the best and most approved rules for preparing an [sic] laying on of oyl colours : the whole treatise being so full, compleat, and so exactly fitted to the meanest capacity, that all persons whatsoever may by the directions contained therein be sufficiently able to paint in oyl colours, not only sun-dials, but also all manner of timber work ... / composed by John Smith, philomath.

About this Item

Title
The art of painting wherein is included the whole art of vulgar painting, according to the best and most approved rules for preparing an [sic] laying on of oyl colours : the whole treatise being so full, compleat, and so exactly fitted to the meanest capacity, that all persons whatsoever may by the directions contained therein be sufficiently able to paint in oyl colours, not only sun-dials, but also all manner of timber work ... / composed by John Smith, philomath.
Author
Smith, John, b. 1648?
Publication
London :: Printed for Samuel Crouch ...,
1676.
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Subject terms
Painting, Industrial -- Early works to 1800.
Sundials.
Decoration and ornament -- Early works to 1800.
Link to this Item
http://name.umdl.umich.edu/A60467.0001.001
Cite this Item
"The art of painting wherein is included the whole art of vulgar painting, according to the best and most approved rules for preparing an [sic] laying on of oyl colours : the whole treatise being so full, compleat, and so exactly fitted to the meanest capacity, that all persons whatsoever may by the directions contained therein be sufficiently able to paint in oyl colours, not only sun-dials, but also all manner of timber work ... / composed by John Smith, philomath." In the digital collection Early English Books Online. https://name.umdl.umich.edu/A60467.0001.001. University of Michigan Library Digital Collections. Accessed June 4, 2024.

Pages

Page 29

CHAP. V. How to grind Colours with Oyl.

WHen you come to grind Co∣lours, let your grinding-stone be placed about the heighth of your middle; let it stand firm and fast so that it soggle not up and down; then take a small quan∣tity of the Colour you intend to grind (two spoonfuls is enough) for the less you grind at a time, the easier and finer will your colour be ground: lay this two spoonfuls of Colour on the middest of your stone, and put a little of your Linseed Oyl to it, (but be sure you put not too much at first)

Page 30

then with your Mulier mix it toge∣ther a little, and turn your Mulier three or four times about, and if you find there be not Oyl enough, put a little more to it, till it come to the consistence of an Oyntment; for then it grinds much better and sooner then when it's so thin as to run about the stone: You must of∣tentimes in the grinding bring your Colour together with your piece of Lanthorn horn, and with the same keep it together in the middle of your stone; when you find you have ground it fine enough (by the continual motion of your Mu∣lier about the stone, holding it down as hard as your strength will permit, which you must also move with such a sleight, as to gather the Colour under it) and that no knots nor grittiness remains; then with your Horn cleanse it off the stone into a Gally-Pot, Pan, or what ever

Page 31

else you design to put it into: and then lay more colour on your stone, and proceed to grinding as before: do so thus often till you have ground as much of this same Colour as shall serve your occasions; and if you grind other Colours after it, let the stone be well cleansed from the first colour with a cloath and fine dry Ashes.

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