The theater of music, or, A choice collection of the newest and best songs sung at the court and public theaters the words composed by the most ingenious wits of the age, and set to music by the greatest masters in that science : with a theorbo-bass to each song for the theorbo or bass-viol : also symphonies and retornels in 3 parts to several of them for the violins and flutes.

About this Item

Title
The theater of music, or, A choice collection of the newest and best songs sung at the court and public theaters the words composed by the most ingenious wits of the age, and set to music by the greatest masters in that science : with a theorbo-bass to each song for the theorbo or bass-viol : also symphonies and retornels in 3 parts to several of them for the violins and flutes.
Publication
London :: Printed by J. Playford for Henry Playford and R.C. ...,
1685-1687.
Rights/Permissions

To the extent possible under law, the Text Creation Partnership has waived all copyright and related or neighboring rights to this keyboarded and encoded edition of the work described above, according to the terms of the CC0 1.0 Public Domain Dedication (http://creativecommons.org/publicdomain/zero/1.0/). This waiver does not extend to any page images or other supplementary files associated with this work, which may be protected by copyright or other license restrictions. Please go to http://www.textcreationpartnership.org/ for more information.

Subject terms
Songs, English -- England.
Songs with continuo.
Link to this Item
http://name.umdl.umich.edu/A54969.0001.001
Cite this Item
"The theater of music, or, A choice collection of the newest and best songs sung at the court and public theaters the words composed by the most ingenious wits of the age, and set to music by the greatest masters in that science : with a theorbo-bass to each song for the theorbo or bass-viol : also symphonies and retornels in 3 parts to several of them for the violins and flutes." In the digital collection Early English Books Online. https://name.umdl.umich.edu/A54969.0001.001. University of Michigan Library Digital Collections. Accessed June 19, 2024.

Pages

Page 72

A. 2. Voc. Altus & Bassus, & Continuo Basse. A Song,

[ A] 〈♫〉〈♫〉 WHen I drink, my Heart is possest, my Heart is pos- seft, with a Joy that slides through my Breast; my Thoughts and my Fancy grow fir'd by the Wine, not the Mu—ses inspir'd; my Cares grow becalm'd when I drink, my Cares grow becalm'd when I drink, and down, down with the Stream, they all sink; and

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dow—n, down, down, down, down with the Stream, they all sink, and dow—n, down, down, down, down with the Stream, they all sink.

Harpsi-hord.
The God I enjoy with the Wine, and my Humour grows more Di—vine; like Bacchus, with fresh Ro—ses crown'd, with

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fresh Ro—ses crown'd, the fragrant O—dours stea—ling rou—nd: Thus, thus I tri—umph a—bove all Strife, thus I tri—umph, and sing the sweetness of this Life,

Soft.
and sing the sweet- ness of this Life. When I drink with Glasses full charg'd, my Spirits grow

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free, and en—lar—g'd; when I drink, my Spirits grow free, and en- larg'd, grow free and en—larg'd. Among Troops of Beauties I play, and rais'd a—bove thoughts of De—cay, and rais'd a—bove thoughts of De- cay. When I drink, I sing the soft Charms of Ve—nus, and clasp in my Arms my

Page 76

Mistress, who then seems to me a Goddess too, as bright as she; who then seems to me a Goddess too, as bright as she. When I drink, when I drink, th'ad- vantage I find, from Trou—bles, from Troubles, to shelter my Mind; this, this is the Blessing alone, this, this is the Bles—sing a—lone, that we that live can call our

Page 77

own. You that seek more, tell me but why, tell me, tell me but why, since all a—like must one day dye; all, all, all a—like must one day dye? You that seek more, tell me but why, since all alike must one day dye; all, all, all, all alike must one day dye; all, all, all, all alike must one day dye.

Page 72

[ B] 〈♫〉〈♫〉 When I drink, my Heart is possest, with a Joy that slides through my Breast; my Thoughts and my Fancy grow fir'd, fir'd by the Wine, not the Muses inspir'd; my Cares grow becalm'd when I drink, my Cares grow be- calm'd when I drink, and down, down, down with the Stream, they all sink; my

Page 73

Cares grow becalm'd when I drink, and dow—n, down with the Stream, they all sink: my Cares grow becalm'd when I drink, and down, down with the Stream, they all sink. The God I enjoy with the Wine, & my Humour grows more Di—vine; like Bacchus, with

Page 74

fresh Ro—ses crown'd, the fragrant O—dours stealing rou—nd, stealing round: Thus, thus I tri—umph, I tri—umph, I triumph a—bove all Strife, and sing the sweetness of this Life,

Soft.
and sing the sweet- ness of this Life.
Harpsichord.
When I drink with Glasses full charg'd my Spirits grow

Page 75

free, and en—lar—g'd; when I drink, my Spirits grow free, and en- larg'd, grow free, and en—lar—g'd. Among troops of Beauties I play, and rais'd above thoughts of Decay, and rais'd a—bove thoughts of De- cay. When I drink, I sing the soft Charms of Ve—nus, and clasp in my Arms my

Page 76

Mistress, who then seems to me a Goddess too, as bright as she; who then seems to me a Goddess too, as bright as she.

Harpsichord.
When I drink, when I drink, th'ad- vantage I find, from Trou—bles, to shelter my Mind; this, this is the Blessing a—lone, this, this is the Blessing alone, that we that live can call our

Page 77

own. You that seek more, tell me but why, tell me but why, since all a—like must one day dye, since all a—like, all, all a—like must one day dye; all, all, all a—like, all, all a—like, all alike must one day dye; since all a- like, all, all a—like must one day dye; since all a—like, all, all alike must one day dye.

[ C] 〈♫〉〈♫〉

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〈♫〉〈♫〉

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〈♫〉〈♫〉

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〈♫〉〈♫〉

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〈♫〉〈♫〉

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〈♫〉〈♫〉

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〈♫〉〈♫〉

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