The theater of music, or, A choice collection of the newest and best songs sung at the court and public theaters the words composed by the most ingenious wits of the age, and set to music by the greatest masters in that science : with a theorbo-bass to each song for the theorbo or bass-viol : also symphonies and retornels in 3 parts to several of them for the violins and flutes.

About this Item

Title
The theater of music, or, A choice collection of the newest and best songs sung at the court and public theaters the words composed by the most ingenious wits of the age, and set to music by the greatest masters in that science : with a theorbo-bass to each song for the theorbo or bass-viol : also symphonies and retornels in 3 parts to several of them for the violins and flutes.
Publication
London :: Printed by J. Playford for Henry Playford and R.C. ...,
1685-1687.
Rights/Permissions

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Subject terms
Songs, English -- England.
Songs with continuo.
Link to this Item
http://name.umdl.umich.edu/A54969.0001.001
Cite this Item
"The theater of music, or, A choice collection of the newest and best songs sung at the court and public theaters the words composed by the most ingenious wits of the age, and set to music by the greatest masters in that science : with a theorbo-bass to each song for the theorbo or bass-viol : also symphonies and retornels in 3 parts to several of them for the violins and flutes." In the digital collection Early English Books Online. https://name.umdl.umich.edu/A54969.0001.001. University of Michigan Library Digital Collections. Accessed June 15, 2024.

Pages

Page 69

A Song:
A. 2. Voc. Altus & Bassus, & Continuo Basse.

[ A] 〈♫〉〈♫〉 IN some kind Dream up—on her Slumbers steal, and to Lu- cyn—da, all I beg, re—veal; breath gent—lest Words in—to her Ears, words full of Love, words full of Love, but full of Fears; such words as may prevail, like Pray'rs from a poor dy—ing Martyr's tongue, from a poor dy—ing Martyr's

Page 70

Tongue, by the sweet Voice of Pi—ty sung. Touch, touch with the Voice the more in—chan—ting Lute, touch with the Voice the more in- chan—ting Lute, to make the Charms strike, strike all Re—pul—ses mute: These may in—sen—si—bly impart, these may in-

Page 71

sen—si—bly impart, my tender Wishes to her Heart, and by a sym-pa—the-tick force, so tune its Strings to Love's Discourse; that when my Griefs com—pell a Groan,

Soft.
her Sighs may Ec—cho, Ec—cho to my Moan.

Page 69

[ B] 〈♫〉〈♫〉 In some kind Dream up—on her Slumbers steal, and to Lu- cyn—da, all I beg, re—veal; breath gent—lest Words in—to her Ears, words full of Love, full of Love, full of Love, but full of Fears; such words as may prevail, like Pray'rs from a poor dying Martyr's tongue, from a poor dying Martyr's, Martyr's to gue, by the

Page 70

sweet Voice of Pi—ty sung, of Pi—ty sung. Touch, touch with the Voice, touch with the Voice the more in—chan—ting Late, the more in—chan—ting Lute, to make the Charms strike, strike all Re—pul—ses mute: These may in-sen—si—bly impart, these may in—sen—si—bly im-

Page 71

part, my ten—der Wishes, tender Wishes to her Heart, and by a sym-pa-the-tick force, so tune its Strings to Love's Discourse; that when my Griefs com—pell a Groan,

Soft.
her Sighs may Ec—cho, Ec—cho to my Moan.

Page 69

[ C] 〈♫〉〈♫〉

Page 70

〈♫〉〈♫〉

Page 71

〈♫〉〈♫〉

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