The theater of music, or, A choice collection of the newest and best songs sung at the court and public theaters the words composed by the most ingenious wits of the age, and set to music by the greatest masters in that science : with a theorbo-bass to each song for the theorbo or bass-viol : also symphonies and retornels in 3 parts to several of them for the violins and flutes.

About this Item

Title
The theater of music, or, A choice collection of the newest and best songs sung at the court and public theaters the words composed by the most ingenious wits of the age, and set to music by the greatest masters in that science : with a theorbo-bass to each song for the theorbo or bass-viol : also symphonies and retornels in 3 parts to several of them for the violins and flutes.
Publication
London :: Printed by J. Playford for Henry Playford and R.C. ...,
1685-1687.
Rights/Permissions

To the extent possible under law, the Text Creation Partnership has waived all copyright and related or neighboring rights to this keyboarded and encoded edition of the work described above, according to the terms of the CC0 1.0 Public Domain Dedication (http://creativecommons.org/publicdomain/zero/1.0/). This waiver does not extend to any page images or other supplementary files associated with this work, which may be protected by copyright or other license restrictions. Please go to http://www.textcreationpartnership.org/ for more information.

Subject terms
Songs, English -- England.
Songs with continuo.
Link to this Item
http://name.umdl.umich.edu/A54969.0001.001
Cite this Item
"The theater of music, or, A choice collection of the newest and best songs sung at the court and public theaters the words composed by the most ingenious wits of the age, and set to music by the greatest masters in that science : with a theorbo-bass to each song for the theorbo or bass-viol : also symphonies and retornels in 3 parts to several of them for the violins and flutes." In the digital collection Early English Books Online. https://name.umdl.umich.edu/A54969.0001.001. University of Michigan Library Digital Collections. Accessed June 18, 2024.

Pages

Page 39

〈♫〉〈♫〉 HOw oft did Love assault young Strephon's Breast, yet in his Heart, in his Heart cou'd gain no In—te—rest? When thousand, thousand, thou—sand Beauties took the Field, when thousand Beau—ties took the Field, and made as ma—ny Lo—vers yield: He saw the Light, but selt no heat; he saw the Light, but felt no heat, with a—ll their Lambent Fire be—set. This great Success, this great Success, made the bold Youth despise, all the Charms, all the

Page 40

Charms, the Cha—rms, that cou'd from Beau—ty a—rise. Love highly in—cens'd in Am—bush does lye, to tame the proud Rebel that his Pow'r does de—ny; Love highly in—cens'd in Ambush does lye, to tame the proud Rebel that his Pow'r does de—ny, to tame the proud Rebel that his Pow'r does deny. And now the fa—tal Hour is come, wherein the Swain receives his Doom: He sees, he burns, he sighs, he dyes, slain by his Ce—lia's darting Eyes; for he that in great

Page 41

War prevails, oft in sin—gle Du-el fails. Happy is Strephon in this his true Passion, the Nymph on his Pain at length had compassion: In her soft Charms he en- joys such a Treasure, there's nothing that's Mortal can e—qual his Pleasure; in her soft Charms he en—joys such a Treasure, there's nothing that's Mortal can equal his Pleasure,

Soft.
there's nothing that's Mortal can e—qual his Pleasure.

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