The mysteries of love & eloquence, or, The arts of wooing and complementing as they are manag'd in the Spring Garden, Hide Park, the New Exchange, and other eminent places : a work in which is drawn to the life the deportments of the most accomplisht persons, the mode of their courtly entertainments, treatments of their ladies at balls, their accustom'd sports, drolls and fancies, the witchcrafts of their perswasive language in their approaches, or other more secret dispatches ...

About this Item

Title
The mysteries of love & eloquence, or, The arts of wooing and complementing as they are manag'd in the Spring Garden, Hide Park, the New Exchange, and other eminent places : a work in which is drawn to the life the deportments of the most accomplisht persons, the mode of their courtly entertainments, treatments of their ladies at balls, their accustom'd sports, drolls and fancies, the witchcrafts of their perswasive language in their approaches, or other more secret dispatches ...
Author
Phillips, Edward, 1630-1696?
Publication
London :: Printed by James Rawlins for Obadiah Blagrave,
1685.
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Subject terms
Erotic literature.
English language -- Rhyme.
Link to this Item
http://name.umdl.umich.edu/A54745.0001.001
Cite this Item
"The mysteries of love & eloquence, or, The arts of wooing and complementing as they are manag'd in the Spring Garden, Hide Park, the New Exchange, and other eminent places : a work in which is drawn to the life the deportments of the most accomplisht persons, the mode of their courtly entertainments, treatments of their ladies at balls, their accustom'd sports, drolls and fancies, the witchcrafts of their perswasive language in their approaches, or other more secret dispatches ..." In the digital collection Early English Books Online. https://name.umdl.umich.edu/A54745.0001.001. University of Michigan Library Digital Collections. Accessed June 17, 2024.

Pages

Page 73

On her Beauty.

WHen that my Mistress looks my sight doth grace, She seems to sway an Empire in her face; Nature her self, did her own self admire, As oft as she were pleased to attire Her in her native lustre, and confess, Her dressing was her chiefest comliness: Where every limb takes like a face, Built with that comely and majestick grace; One accent, from whose lips the blood more warms Then all Medea's exorcisms and charms. He that since Nature her great work began, She made to be the mirror of a man: That when she meant to form some matchless limb, Still for a pattern took some part from him; And jealous of her coming, brake the mould. In his proportion, done the best she could, If she discourse, her lip such accents breaks, As love turn'd air, breaths from him as he speaks. She maketh Jove invent a new disguise, Inspite of Juno's watchful jealousie: Whose every part doth also reinvite The coldest most decayed appetite: And shall be Nurse, as mighty Juno swears, To the next bright hair'd Cupid that she bears.
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