The mysteries of love & eloquence, or, The arts of wooing and complementing as they are manag'd in the Spring Garden, Hide Park, the New Exchange, and other eminent places : a work in which is drawn to the life the deportments of the most accomplisht persons, the mode of their courtly entertainments, treatments of their ladies at balls, their accustom'd sports, drolls and fancies, the witchcrafts of their perswasive language in their approaches, or other more secret dispatches ...

About this Item

Title
The mysteries of love & eloquence, or, The arts of wooing and complementing as they are manag'd in the Spring Garden, Hide Park, the New Exchange, and other eminent places : a work in which is drawn to the life the deportments of the most accomplisht persons, the mode of their courtly entertainments, treatments of their ladies at balls, their accustom'd sports, drolls and fancies, the witchcrafts of their perswasive language in their approaches, or other more secret dispatches ...
Author
Phillips, Edward, 1630-1696?
Publication
London :: Printed by James Rawlins for Obadiah Blagrave,
1685.
Rights/Permissions

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Subject terms
Erotic literature.
English language -- Rhyme.
Link to this Item
http://name.umdl.umich.edu/A54745.0001.001
Cite this Item
"The mysteries of love & eloquence, or, The arts of wooing and complementing as they are manag'd in the Spring Garden, Hide Park, the New Exchange, and other eminent places : a work in which is drawn to the life the deportments of the most accomplisht persons, the mode of their courtly entertainments, treatments of their ladies at balls, their accustom'd sports, drolls and fancies, the witchcrafts of their perswasive language in their approaches, or other more secret dispatches ..." In the digital collection Early English Books Online. https://name.umdl.umich.edu/A54745.0001.001. University of Michigan Library Digital Collections. Accessed June 17, 2024.

Pages

Page 221

Select Sentences.

WHosoever writes a modern History, and follows truth too near the heels, may chance have his teeth struck out.

The dignity of truth is lost in much protesting.

No Hell so low, which lust and women cannot lead unto.

The world is a theatre of theft, great rivers, small brooks, and they the ocean.

True love is a servant, brutish lust a tyrant.

Duty must not assume the name of merit.

Unequal marriage is not love but lust.

Revenge is lost, if men profess they hate.

Mischief doth ever end where it begins.

Where distaste begins, there friendship ends.

When a woman hath lost her chastity, she hath no more to lose.

Too much indulgence is not love but hate.

Reason is the mistress of experience.

Nothing is hard to them that dare to die.

He is next in right that hath the strongest power.

Blinde is the censure of uncertainties.

Time wears out what art and nature cannot bring about.

Great sorrow is always dumb.

Women are like to Venice-glasses, one crack spoils them.

Discretion is the better part of valor.

The man that would have sold the lions skin whilst the beast lived, was killed with hunting of him.

When clouds appear, wise men put on their cloaks.

Hope is a bate, it covers any hook.

Libels are stifled with taking no notice of them.

Good wits are greatest in extremity.

Mischiess seed like beasts till they be fat, and then they bleed.

The worst deeds are made good with good success.

Page 222

Invocation is more dangerous then error.

A Politician must, like lightning, melt the marrow but not pierce the skin.

An old husband is good to make a screen of, to stand next the fire, whilst his yong wise sits behind him, and keeps a Friends lips warm.

Virgins resolves are weak.

Envy stands on tip-toe to pull down innocence.

When lust is up, all women are alike.

Love is the soveraign vertue of the soul.

The dawn of midnight is the drunkards noon.

Suspicion always hath a ready tongue.

The sun that sets, doth rise again.

All faults are still bore that from greatness grows.

The feast of marriage is not lust but love.

Love is a slave to hope.

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