Playes written by the thrice noble, illustrious and excellent princess, the Lady Marchioness of Newcastle.

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Title
Playes written by the thrice noble, illustrious and excellent princess, the Lady Marchioness of Newcastle.
Author
Newcastle, Margaret Cavendish, Duchess of, 1624?-1674.
Publication
London :: Printed by A. Warren, for John Martyn, James Allestry, and Tho. Dicas ...,
1662.
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Link to this Item
http://name.umdl.umich.edu/A53060.0001.001
Cite this Item
"Playes written by the thrice noble, illustrious and excellent princess, the Lady Marchioness of Newcastle." In the digital collection Early English Books Online. https://name.umdl.umich.edu/A53060.0001.001. University of Michigan Library Digital Collections. Accessed June 17, 2024.

Pages

Page [unnumbered]

TO THE READERS.

NOBLE READERS.

TIs likely you will condemn my Playes at being dull and flat, by reason they have not the high seasoning of Poetical Salt; but Suger is more commonly used amongst our Sex than Salt. But I fear my Wit is tastless, which I am sorry for; for though a Satyrical Speaker is discommendable, being for the most part abusive; for Bitter reproofs only are fit for rigid Pedants, Censuring and back∣biting sit for pot Companions, and sharp replies is a wit for mean persons, being in a degree of scolding; a Ralery Wit, for Bussions and Ieslers which abuse under the Veil of Mirth, Familiarity, and Freedome; whereas a generous discoursi∣tive Wit, although it be free, yet it is sweet and pleasing: thus as I said Satyrical Speakers are discommendable, yet Satyrical Writers are highly to be praised, as most profitable, because those reprove only the generality, as the general Vices, Follies, and errors of Mankind, poiming at no particular; and the sharpest Writers are most commonly the sweetest Speakers. But I have observed one general Folly amongst many which is, that it is expected by most Readers that the Wri∣ters should speak as they write, which would be very ridiculous; as for example, a Lyrick Poet should speak nothing but Sonnets, a Comedian or Tragedian Poet should speak nothing but set Speeches, or blanck Verse, or such Speeches which are only prover to present such and such humours, which in ordinary discourse would be improper; and though Virgil whose greatest praise is Language, yet I do verily be∣lieve he did not speak in his ordinary Conversation in such a stile, forms and Speech∣es, nor in such high, sine, and choice Latin, nor in such high and lofty expressions, nor apt similitudes, nor the sence of his discourse wrapt in such Metaphors, as in his writings; nay Eloquent Speakers or Orators do not alwayes speak Orations, but upon an occasion, and at set times, but their ordinary Conversation is with ordinary dis∣courses; for I do verily believe, the greatest and most Eloquents Orators that ever were in the World, in their ordinary Conversation, converst and spoke but as other men. Besides, in Common and ordinary Conversations, the most Wittiest, Learneelst, and Eloquentest Men, are forced to speak according to the Wit, Learning, Language, and Capacities of those they are in Company and Coversation with, unless they will speak all themselves, which will be no Conversation: for in Conversation every par∣ticular person must have his turn and time of speaking as well as hearing; yet such is the folly of the World, as to despise the Authors of Witty, Learned and Eloquent Writings, if their Conversations be as other mens, and yet would laugh at them, or account them mad, if they should speak otherwise, as out of this ordinary way; but the greatest talkers are not the best writers, which is the cause women cannot be good Writers; for we for fear of being thought Fools, make our selves Fools, in striving to express some Wit, whereas if we had but that power over our selves as to keep

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silence, we perchance might be thought Wits, although we were Fools, but to keep si∣lence is impossible for us to do, so long as we have Speech we shall talk, although to no purpose, for nothing but Death can force us to silence, for we often talk in our Sleep; but to speak without partiality, I do not perceive that men are free from this imperfection, nor from condemning us, although they are guilty of the same fault; but we have this advantage of men, which is, that we know this imperfection in our selves, although we do not indeavour to mend it; but men are so Partial to them∣selves, as not to perceive this imperfection in themselves, and so they cannot mend it; but in this, will not or cannot is as one; but this discourse hath brought me to this, that if I have spoke at any time to any person or persons impertinently, impro∣perly, untimely, or tediously, I ask their pardon: but lest I should be impertinently te∣dious in this Epistle, and so commit a fault in asking pardon, I leave my Readers to what may be more pleasing to them.

M. N.

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