Aretina; or, The serious romance Written originally in English. Part first.

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Title
Aretina; or, The serious romance Written originally in English. Part first.
Author
Mackenzie, George, Sir, 1636-1691.
Publication
Edinburgh :: printed for Robert Broun, [Evan Tyler?] at the sign of the Sun, on the north-side of the street,
1660.
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Link to this Item
http://name.umdl.umich.edu/A50450.0001.001
Cite this Item
"Aretina; or, The serious romance Written originally in English. Part first." In the digital collection Early English Books Online. https://name.umdl.umich.edu/A50450.0001.001. University of Michigan Library Digital Collections. Accessed May 14, 2025.

Pages

Page 5

An Apologie for ROMANCES.

IT hath been rather the fate, then merit of Romances in all ages, to be asperst with these vices, whereof they were not only innocent, but to whose ante-doting vertues they might justly pretend: for whereas they are judged to be both the fire, and faggots, wherby Lov'd flames are both kindled and alimented; I be∣lieve verily, that there is nothing can so easily extinguish them, for as these who have at Court, seen numbers of peerless and wel deckt beauties; can hardly become enamoured of an ordinary Country-maid; So these who have seen a Phi∣loclea, or Cleopatra, depenciled by the curious wits of Sidney, and Scuderie, will hardly be in∣vassalled by the (to them scarce approaching) treats of these, whom this age garlands for ad∣mired beauties. Others for sooth accuse them, for robbing us of our precious time; but this reproach is ill founded; for if the Romance be abject, none will trisle away their time in rea∣ding

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it, except these who would mispend it how∣ever, and if they be excellent, then times is rather spent then mispent in leafing them over. There is also a third race of detracters, who condemn them as lies; but since their Authors propose them, not with an intention to deceive, they can∣not properly be reputed such: And albeit they seem but fables, yet who would unkernel them, would finde budled up in them reall truthes; and as naturalists observe, these kernels are best where the shells are hardest; and these mettals are noblest, which are mudded over wih most earth. But to leave such Phanaticks in the bed∣lame of their own fancies, who should blush to trace in these paths, which the famous Sidney, Scuderie, Barkley, and Broghill hath beaten for them, besides thousands of Ancients, aud Mo∣derns, Ecclesiasticks, and Laicks, Spaniards, French, and Italians, to remunerat whose en∣deavours, fame hath wreathed Garlands (to be temple their ingenious and ingenuous heads) which shall never fade whilest Learning flouri∣shes. I shall speak nothing of that noble Ro∣mace, writen by a Bishop, which the entreaty of all the Eastern Churches could never prevail with him to disown; and I am confident, that where Romances are written by excellent wits, and perused by intelligent Readers, that the judgement may pick more sound information

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from them, then from History, for the one teach∣eth us onely what was done, and the other what should be done; and whereas Romances presents to us, vertue in its holy-day robes, History pre∣sents her only to us in these ordinary, and spotted sutes which she weares whilst she is busied in her servile, and lucrative imployments: and as many would be incited to vertue and genero∣sity, by reading in Romances, how much it hath been honoured; So contrary wise, many are de∣terred by historical experience from being ver∣tuous, knowing that it hath been oftner punished then acknowledged. Romances are these vessels which strain the christal streams of vertue from the puddle of interest; whereas history suffers the memory to quaff them of in their mixt impuritie; by these likewise lazy Ladies and luxurious Gallants, are allured to spend in their Chambers some hours, which else, the one would consecrat to the Bed, and the other to the Bordell: and albeit essayes be the choicest Pearls in the Iewel house of moral Philosophy, yet I ever thought that they were set off to the best advantage, and appeared with the greatest lustre, when they were laced upon a Romance; that so the curiosity might be satisfied, as well as the judgement informed, especially in this age wherein the appetit of mens judgements is be∣come so queasie, that it can rellish nothing that

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is not either vinegared with Satyres, or sug∣gared with Eloquence.

I know that these who have devanced us in this imployment, will as our eldest brothers in time, have a double portion of fame bestowed up∣on them, and no wonder, seing they had store both of expression and invention to make choice of, and if any of us use their expressions, albeit we were only debtor to our own invention for them, yet we should be thought to plagiarize: where∣fore he who writes now, should read what hath been written formerly; not to the intent that he may borrow, but least he should borrow any thing that is theirs. I perceive there have been two errours committed by the first writers of Romances: the first was, that they stuffed their Books with things impracticable, which because they were above the reach of mans power, they should never have fallen within the circle of his observation: and such was Amadis de Gaule, Palmeron de Oliva &c. The other errour was in the style, which because of its soaring pitch was inimitable: and as the first hath been the fault of the first writers, So the last hath been the fault of the last writers, wherefore the fa∣mous Scuderie hath written so, as that his inven∣tion may suit well with our practise, and his style with our discourse, and especially in his Clelia, wherein he professes that he hath adapted all to

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the present converse of the French Nation and that is really the mould wherein all tru Romances should be casten. There are some who embroider their discourse with Latin and Greek termes, thinking, like these who are charmers, that the charme loses its energie, if the words be not used in Latine. But this is as rideculous, as if one who desires to make his face seem plea∣sant, should enamble it with red, blew, green, and other colours; which though they are in them∣selves pleasant, yet are rediculous when placed there. And this is an university style, which sa∣vours too much its pedant, and is at best but ba∣stard oratory, seing the scope of all Orators is to perswade, and there can be no perswasion where the term is not understood; examples of this are Brown, Charletoun, &c. The second style, is that of moral Philosophers, where the periods are short, and the sense strong, and our experience teacheth us, that the shorter any thing be, it is the stronger: this style suits best with Prea∣chers, whose it is to debit the grand misteries of Faith and Religion; for, seing sentences there should be weighty, if they were either many, or long, they would burden too much the hearers. The third style, is that of Barrasters, which is flourished with similees, and where are used long winded periods; and of all others, this is the most preferable, for seing similitude is but a harmo∣ny,

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this style shews that excellent harmony, and rapport, which God intended in the first Creati∣on; and which the Philosophers of all ages have ever since admired. This Lawyers have lear∣ned from the paucitie of all humane Lawes, which makes them oft recurr to that topick, which teaches them to argument from the pari∣tie of reason. And in this they resemble Mecha∣nicks, who, by applying a cord, whose length they know, to any body whose length they ignore, do thereby learn its measures also. And by this way Nathan in the old Testament, and our Sa∣viour in the new, repremands the errors of Da∣vid and the self conceated Iewes. The fourth style is where the cadence is sweet, and the epi∣thets well adapted, without any other var∣nish whatsoever: and this is that style which is used at Court, and is paterned to us by eloquent Scuderie. I hear there is now a ridiculous ca∣ball of Ladies at Paris, who terme themselves the precious, and who paraphrase every thing they speak of, terming a mirrour, the conselour of beauty, and a chair, the commoditie of con∣versation, &c. And thus they have progressed from painting of faces to paint expressions.

As for my self, since I expect no applause, I need fear no censure; and if I satisfie not others, I shall at least satisfie my self, for it was to form to my self a style that I undertook this Piece,

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whose defects I hope the sober readers will par∣don, since their clemency will not be oft tempted with crimes of this nature: only this I begg, that these who will not do me the favour to read the last part, will not do me the wrong to read the fist part; for as the Lord Bakon very well observes, our thoughts are like our years, where∣of the first are alwayes the worst; and it is no wonder, for boyling youth customarly throws the scum upmost. I have concealed my name till I see how my undertaking is relished; for which reason likewise, I have sent this Piece to the world unaccompanied, as a swatch of what I intend, reserving the Web, till I see how the Stuff pleases. The subject hath made this first part serious, and my inclination shall make the second pleasant.

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