Theodosius, or, The force of love a tragedy, acted by Their Royal Highnesses servants, at the Duke's Theatre / written by Nat. Lee ; with the musick betwixt the acts.
About this Item
- Title
- Theodosius, or, The force of love a tragedy, acted by Their Royal Highnesses servants, at the Duke's Theatre / written by Nat. Lee ; with the musick betwixt the acts.
- Author
- Lee, Nathaniel, 1653?-1692.
- Publication
- London :: Printed for R. Bentley and M. Magnes ...,
- 1680.
- Rights/Permissions
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To the extent possible under law, the Text Creation Partnership has waived all copyright and related or neighboring rights to this keyboarded and encoded edition of the work described above, according to the terms of the CC0 1.0 Public Domain Dedication (http://creativecommons.org/publicdomain/zero/1.0/). This waiver does not extend to any page images or other supplementary files associated with this work, which may be protected by copyright or other license restrictions. Please go to http://www.textcreationpartnership.org/ for more information.
- Link to this Item
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http://name.umdl.umich.edu/A49947.0001.001
- Cite this Item
-
"Theodosius, or, The force of love a tragedy, acted by Their Royal Highnesses servants, at the Duke's Theatre / written by Nat. Lee ; with the musick betwixt the acts." In the digital collection Early English Books Online. https://name.umdl.umich.edu/A49947.0001.001. University of Michigan Library Digital Collections. Accessed April 27, 2025.
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ACT II. SCENE I.
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ACT III. SCENE I.
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SONG after the Second ACT.
〈♫〉〈♫〉 Sad as Death at dead of night the fair complaining Caelia sat, but 〈♫〉〈♫〉 〈♫〉〈♫〉 one poor Lamp was all her light, while thus she rea╌son'd 〈♫〉〈♫〉 〈♫〉〈♫〉 with her Fate; Why should Man such Tri╌umphs gain, and 〈♫〉〈♫〉 〈♫〉〈♫〉 purchace Joys that gives us pain. Ah! what Glory; ah what Glory 〈♫〉〈♫〉 〈♫〉〈♫〉 can en╌sue, a help╌less Vir╌gin to un╌do. 〈♫〉〈♫〉
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〈♫〉〈♫〉 Curse the Night then, Curse the Hour when first he drew thee 〈♫〉〈♫〉 to his arms, when vir╌tue was be-tray'd by pow-er, and 〈♫〉〈♫〉 yield╌ed to un╌law╌ful Charms, when Love approach'd with 〈♫〉〈♫〉 all his Fires arm'd with hopes and strong de-sires, sighs and tears, & 〈♫〉〈♫〉 ev'ry wile with which the Men, with which the Men the Maids be- 〈♫〉〈♫〉 guile, with which the Men, with which the Men the Maids beguile.
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SONG after the Second ACT.
〈♫〉〈♫〉 Dream no more of Plea-sures past, since all thy tor-ments are to 〈♫〉〈♫〉 〈♫〉〈♫〉 come; the se╌cret is made known at last, and end╌less shame is 〈♫〉〈♫〉 〈♫〉〈♫〉 now thy Doom; The false for╌sworn a╌las is gone, and 〈♫〉〈♫〉 〈♫〉〈♫〉 left thee to de-spair a╌lone. Who that hears of Caelia's pain, will 〈♫〉〈♫〉 〈♫〉〈♫〉 e╌ver trust, will e╌ver trust a Man a╌gain. 〈♫〉〈♫〉
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Chorus. 〈♫〉〈♫〉 The false for-sworn a╌las is gone, and left thee to de╌spair a╌lone. 〈♫〉〈♫〉 The false for-sworn a╌las is gone, and left thee to de╌spair 〈♫〉〈♫〉 〈♫〉〈♫〉 a╌lone. Who that hears of Caelia's pain, will e╌ver 〈♫〉〈♫〉 Who that hears of Caelia's pain, will e╌ver 〈♫〉〈♫〉 〈♫〉〈♫〉 trust, will e╌ver trust a Man a╌gain. 〈♫〉〈♫〉 trust, will e╌ver trust a Man a╌gain: 〈♫〉〈♫〉
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SCENE II.
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SONG.
1.Hail to the Mirtle Shade, All hail to the Nymphs of the Fields; Kings would not here invade Those pleasures that virtue yields.
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SONG after the Third ACT.
〈♫〉〈♫〉 Hail to the Myrtle shade, all Hail to the Nymphs of the Fields, 〈♫〉〈♫〉 〈♫〉〈♫〉 Kings will not her in-vade, tho Vir╌tue all free╌dom yields. 〈♫〉〈♫〉 〈♫〉〈♫〉 Beauty here opens her arms to soften the languishing mind, and 〈♫〉〈♫〉 〈♫〉〈♫〉 Phillis un╌locks her Charms, ah Phillis! ah! why so kind? 〈♫〉〈♫〉
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Chorus. 〈♫〉〈♫〉 Beauty here opens her Arms to soften the languishing mind, and 〈♫〉〈♫〉 Beauty here opens her Arms to soften the languishing mind, and 〈♫〉〈♫〉 〈♫〉〈♫〉 Phillis un locks her Charms; ah! Phillis! ah! why so kind? ah 〈♫〉〈♫〉 Phillis un locks her Charms; ah Phillis! ah! why so kind? ah 〈♫〉〈♫〉 〈♫〉〈♫〉 Phil╌lis! ah! why so kind? 〈♫〉〈♫〉 Phil╌lis! ah! why so kind? 〈♫〉〈♫〉
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Chor.Beauty here opens her Arms, To soften the languishing mind; And Phillis unlocks her Charms; Ah Phillis! ah why so kind?2.Phillis, thou Soul of Love, Thou joy of the Neighb'ring Swains; Phillis that Crowns the Grove, And Phillis that guilds the Plains.Chor.Phillis, that ne'er had the skill, To paint, to patch, and be fine; Yet Phillis whose Eyes can kill, Whom Nature hath made Divine.3.Phillis, whose charming Song, Makes labour and pains a delight; Phillis that makes the day young, And shortens the live-long night.Chor.Phillis, whose lips like May, Still laughs at the sweets that they bring; Where Love never knows decay, But sets with Eternal Spring.
ACT IV. SCENE II.
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SCENE II.
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SONG after the Fourth ACT.
〈♫〉〈♫〉 Ah Cru╌el Bloo╌dy Fate, what canst thou now do more? A╌las 〈♫〉〈♫〉 〈♫〉〈♫〉 'tis now too late Philander to re-store. Why should the Heav'nly 〈♫〉〈♫〉 〈♫〉〈♫〉 Powers perswade poor Mortals to believe that they guard us here, or re╌ward us there, yet all our Joys deceive. 〈♫〉〈♫〉
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ACT V. SCENE I.
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SONG.
1.Ab Cruel bloody Fate, What oanst thou now do more? Alas, 'tis all too late, Philander to restore: Why should the Heavenly Powers perswade Poor Mortals to believe, That they guard us here, And reward us there, Yet all our Joys deceive?2.Her Ponyard then she took, And held it in her Hand; And with a dying look, Cry'd, thus I Fate commmand: Philander! ah my Love I come, To meet thy shade below; Ah, I come, she cry'd, With a Wound so wide, There needs no second Blow:3.In Purple Waves her Blood Ran streaming down the Floor, Unmov'd she saw the Flood, And blest her dying hour: Philander! ah, Philander! still The bleeding Phillis cry'd, She wept a while, And forc'd a smile; Then clos'd her Eyes and dy'd.