Observations out of Poets in general, and of Dreams in particular.
1 THe most exquisite Poems are but a kinde of pleasant waking dream, and the art of Poetrie a lively imitation of some delightful visions. And as nothing comes into a mans Fancie by night in dreams, but the parts or matters of it have been formerly in his outward senses (for even when we dream of golden Mountains or Chimeras, the several ingredients have a real and sensible truth in them; onely the frame or proportion is such, as hath no sensible example in the works of nature:) so in Ancient Poems, which were not made in imi∣tation of former, as pictures drawn from pictures, but immediately devised (as we now suppose) from the sensible experiments of those times (as pictures drawn from a living face) many parts and lims have a real and sen∣ble truth, onely the composition or frame is Artificial and fained, such as can∣not perhaps be parallel'd in every circumstance, with any real events in the course of times. And albeit the events which the most Ancient Poets relate) through long distance of time, seem most strange to us, yet is the ground (of their Devises especially) Such, as upon better search may alwaies be refer∣red to some Historical truth, which yielded stuff to Poetical structure, as daies spectacles do unto nights visions. This Aristotle had observed out of the practise of the best Ancient Poets and prescribes it as a rule to Poets, to have alwaies an Historical truth for their ground. Nor durst Poets have been so audacious in their fictions at the first, seeing their profession was but either to imitate nature, or adorn a known truth; not to disparage any truth by prodi∣gious or monstrous fictions, without any ground of like experience. For this is a fundamental law of their Art;
* 1.1Curandum, ut quando non semper Vera profamur, Fingentes, saltem sint illa Simillima Veri.
Though alls not true that faining Poets sing▪ Yet nought on Stage but in truths likeness bring.