Querer por solo querer To love only for love sake : a dramatick romance : represented at Aranjuez, before the King and Queen of Spain, to celebrate the birthday of that King, by the Meninas, which are a sett of ladies, in the nature of ladies of honour in that court, children in years, but higher in degree (being many of them daughters and heyres to grandees of Spain) than the ordinary ladies of honour, attending likewise that queen / written in Spanish by Don Antonio de Mendoza 1623 ; paraphrased in English, anno 1654 ; together with the Festivals of Aranwhez.

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Title
Querer por solo querer To love only for love sake : a dramatick romance : represented at Aranjuez, before the King and Queen of Spain, to celebrate the birthday of that King, by the Meninas, which are a sett of ladies, in the nature of ladies of honour in that court, children in years, but higher in degree (being many of them daughters and heyres to grandees of Spain) than the ordinary ladies of honour, attending likewise that queen / written in Spanish by Don Antonio de Mendoza 1623 ; paraphrased in English, anno 1654 ; together with the Festivals of Aranwhez.
Author
Hurtado de Mendoza, Antonio, 1586-1644.
Publication
London :: Printed by William Godbid, and are to be sold by Moses Pitt ...,
1671.
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"Querer por solo querer To love only for love sake : a dramatick romance : represented at Aranjuez, before the King and Queen of Spain, to celebrate the birthday of that King, by the Meninas, which are a sett of ladies, in the nature of ladies of honour in that court, children in years, but higher in degree (being many of them daughters and heyres to grandees of Spain) than the ordinary ladies of honour, attending likewise that queen / written in Spanish by Don Antonio de Mendoza 1623 ; paraphrased in English, anno 1654 ; together with the Festivals of Aranwhez." In the digital collection Early English Books Online. https://name.umdl.umich.edu/A45225.0001.001. University of Michigan Library Digital Collections. Accessed June 14, 2024.

Pages

The Fabrick of the Scenes.

TO Erect the Scenes for the Opera of Her Majesty came to Aranjuez Captain Iulius Caesar Fontana, chief Engineer and Superintendent of the Fortifications of the Kingdom of Naples, Son to that so celebrated Artichitect of the Fabricks of Sextus Quintus, and Artificer comparable with his Father. There was raised a Theatre of 150 Foot long, and 78 in breadth, and seven Arches on each side with Pilasters, Cor∣nishes and Battlements, of Dorick Work, and on the top of those certain Galleries with Balasters of Gold, Silver, and Blew, which compass'd the whole, and the same susteined

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seventy Massie Candlesticks holding white Wax Torches and Tapers innumerable, with certain Pillars imboss'd at the Corners of them ten Foot high, upon which was fastened a Canopy in imitation of a clear Night, when a multitude of Stars break out of a gloomy shadow, and upon the Stage, two Figures of a large proportion, which served for imaginary Gyants; and to correspond with the Frontispiece, and by the Cornishes of the open Galleries, many Statues of Brass, and pendant from the Arches, certain Globes of Crystal, which made great Lights; and round about Benches for Gentlemen, with a most beautiful Rail to keep out the Common-people. In the midst a Throne, upon which were the Chairs of the King, and of the Princes Don Carlos, and Don Fernando, his Brothers: Below them again Foot-paces, on which Carpets with Cushi∣ons, for the Ladies and Damsels. There was form'd a Moun∣tain of fifty foot broad, and eighty in circumference, which was made to split it self into two, and, though it was so vast in bulk, yet one Man moved it with much ease. It cover'd the Scene, and was of the same Dorick Work, and it had an Ascent by many Steps to a spatious Cave, peopled with many wild Beasts. What this Mountain hid shall be revealed, when we speak of the Scenes, as they served in their proper places of the Mask.

The Subject was the Glory of Niquea, notorious in the Books of Amadis; it was written for the height of the Court, as knowing the little liberty which that affords to the Muses, and the great Caution wherewith these Virgins of Parnassus must there demean themselves, the want of which knowledge occasions many absurdities to those Poets (how eminent soever in other respects) who have been bred far from the severity of that School.

The Festival was appointed for St. Philips Day, but the embroylment of so much Fabrick deferr'd it till Whit-Monday, by which time all was in perfection. At the shutting in of day

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Tapers were lighted, equivocating Night. All took their places, who had leave to see, which was granted sparingly. For as to have indulged a general Liberty, would have caused great confusion, by the People that would have flocked from Madrid, so the Court-Attendance alone, of their Majesties, and their Highnesses, was enough, not to want Spectators if that had been the thing;) yet those who came unlicensed were not ex∣cluded, least so justifiable an Ambition should be condemn'd, as to desire to see Festivals prepared by so great a Queen, in Honour of a King so Glorious, and moreover their own. He being now out of Mourning for his Great Father, which he ob∣served so religiously, that till the Year was over, even, the last Day, the first of his sorrow. The Ladies and Damsels, then present at Aranjuez, fill'd both the Strado's, the one the Coun∣tess of Olivarez, and the Lady Frances Clanit, Wife of Don Balthazar de Zumiga, the Marchioness of Castel Rodrigo, and the Lady Margarita de Melo her Daughter, and the Coun∣tess of Barajas; the other, the Lady Iane of Arragon, and the Lady Leonora Pimentel, Donna Anna Bazan, Donna Maria Lande (chief Mother of the Maids) the Lady Mar∣garita de Tabara, and the Countess of Castro Duennas, i. e. Widows of Honour.

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