The art of glass shewing how to make all sorts of glass, crystal and enamel : likewise the making of pearls, precious stones, china and looking-glasses : to which is added, the method of painting on glass and enameling : also how to extract the colours from minerals, metals, herbs and flowers ... : illustrated with proper sculptures / written originally in French, by Mr. H. Blancourt, and now first translated into English ; with an appendix, containing exact instructions for making glass-eyes of all colours.

About this Item

Title
The art of glass shewing how to make all sorts of glass, crystal and enamel : likewise the making of pearls, precious stones, china and looking-glasses : to which is added, the method of painting on glass and enameling : also how to extract the colours from minerals, metals, herbs and flowers ... : illustrated with proper sculptures / written originally in French, by Mr. H. Blancourt, and now first translated into English ; with an appendix, containing exact instructions for making glass-eyes of all colours.
Author
Haudicquer de Blancourt, Jean, b. ca. 1650.
Publication
London :: Printed for Dan. Brown ... Tho. Bennet ... D. Midwinter and Tho. Leigh ... and R. Wilkin ...,
1699.
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Subject terms
Glass manufacture -- Early works to 1800.
Enamel and enameling -- Early works to 1800.
Precious stones.
Link to this Item
http://name.umdl.umich.edu/A43083.0001.001
Cite this Item
"The art of glass shewing how to make all sorts of glass, crystal and enamel : likewise the making of pearls, precious stones, china and looking-glasses : to which is added, the method of painting on glass and enameling : also how to extract the colours from minerals, metals, herbs and flowers ... : illustrated with proper sculptures / written originally in French, by Mr. H. Blancourt, and now first translated into English ; with an appendix, containing exact instructions for making glass-eyes of all colours." In the digital collection Early English Books Online. https://name.umdl.umich.edu/A43083.0001.001. University of Michigan Library Digital Collections. Accessed June 17, 2024.

Pages

CHAP. XCIX. To make a Paste for an Oriental Topaz.

THE Topaz of the Ancients, is the same which the Moderns call a Chrysolite, whereof we shall treat in Chap. 101, and their Chrysolite, that which Mo∣dern Jewellers call a Topaz, which is a Stone of a Golden-colour. Such are the Oriental Topaz's which are the most hard of all Stones next the Diamond. Their Colour is like Water tinged with Saffron or Rhubarb, but shining and pure. There are some

Page 158

found in Europe, but as soft as Crystal, and approach somewhat on Black with a Golden-colour; if there is any one found of the Colour of pure Gold, it is ex∣traordinary, and not distinguishable from the Orien∣tal ones, but in hardness.

To imitate the Oriental ones, take two Ounces of Natural Crystal of Chap. 92, seven Ounces of Red-Lead in ine Powder and searced; mix the whole well together, put them into a good Crucible, wherein you leave an empty space of about an Inch deep, for fear the Matter should run over in Baking, or stick to the Cover of the Crucible in rising, and spoil the Work. Then proceed as in Chap. 94, observing the same Circumstances of Time and Fire, and you'll have an admirable Topaz-colour.

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