CHAP. CLXXXVI. To prepare the Colours for Painting on Enamel.
NOTHING can be more splendid than the Paint on Enamel, and for this use must be chosen the liveliest and most Noble Colours, and such as will ea∣sily vitrifie and melt.
All these assigned throughout the Sixth Book, are as equally sufficient for this, as for Enameling; if you grind them first on your Marble with the best Oyl of Spike, or mix'em together with the other Ingredients for that purpose, as we shall give a fuller account in the next Chapter, and of all the Matters to be used with calcined Enamels, which serve to make up the Paint for Enamel mixing them well together as Pain∣ters do on their Pallets: When you want some Co∣lours of Enamel, you may with Blue and Yellow make a good fair Green; a Blue and Red mixt, will produce a fine Violet; a Red and White creates a Rose-colour; a Black and White forms a gallant Gray, and so of others.
Every Workman has his own Secret, and peculiar way of Working, but most of them make use of Rocaille for varnishing their Colours, which has an ill effect, because of too much Lead, which is not per∣fectly purged off; this lessens the Life and Splendour, and it always continues as it were tarnished, cloudy, and dull.
But our Enamel being well refined, will produce Work so fine and agreeable, that 'tis not possible to