FIRST, To render all Bodies Sociable or Mingleable: as Water with Oyl, Salt with Spirit, and the like.* 1.1 For Natural and Arti∣ficial Mixture, are the same; as we have before proved. If therefore Nature can do it, as we see in the Generation of Bodies she doth, 'tis likewise in the Power of Art to do it.
2. §. And for the doing of it, two general Rules result from the Premisses, sc. The Application of Causes, and the Choice of Materials. As for the Causes,* 1.2 they are such as I have now instanc'd in. And for the Application of them, I shall give these two Rules.
3. §. First, That we tread in Natures steps as near as we can; not only in the Application of such a Cause, as may be most proper for such a Mixture; but also in allowing it sufficient time for its effect. For so we see Nature her self, for her more perfect Mixtures, usually doth. She maketh not a Flower, or an Apple, a Horse, or a Man, in a moment; but all things by degrees; and for her more perfect and elaborate Mix∣tures, for the most part, she requireth more time. Because all such Mixtures are made and carri'd on per minima; and therefore require a greater time for the compleating of them.
4. §. A second Rule is, Not only to make a due Application of the Causes; but sometimes to Accumulate them. By which means, we may not only, imitate Nature, but in some cases go beyond her. For as by adding a Graft or Bud to the Stock, we may produce Fruit sooner, and sometimes better, than Nature by the Stock alone would do: So here, by accumulating the Causes of Mixture, that is, by joyning two, three, or more together; or by applying more in some Cases, where Na∣ture applyeth fewer; we may be able to make, if not a more perfect, yet a far more speedy Mixture, than Nature doth. As by joyning Com∣pression, Heat, and violent Agitation, and so continuing them all to∣gether, by some means contrived for the purpose, for the space of a