The Excellency of the pen and pencil exemplifying the uses of them in the most exquisite and mysterious arts of drawing, etching, engraving, limning, painting in oyl, washing of maps & pictures, also the way to cleanse any old painting, and preserve the colours : collected from the writings of the ablest masters both ancient and modern, as Albert Durer, P. Lomantius, and divers others ; furnished with divers cuts in copper, being copied from the best masters ...

About this Item

Title
The Excellency of the pen and pencil exemplifying the uses of them in the most exquisite and mysterious arts of drawing, etching, engraving, limning, painting in oyl, washing of maps & pictures, also the way to cleanse any old painting, and preserve the colours : collected from the writings of the ablest masters both ancient and modern, as Albert Durer, P. Lomantius, and divers others ; furnished with divers cuts in copper, being copied from the best masters ...
Publication
London :: Printed by Thomas Ratcliff and Thomas Daniel, for Dorman Newman and Richard Jones ...,
1668.
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Subject terms
Drawing -- Study and teaching.
Drawing -- Early works to 1800.
Art -- Technique.
Link to this Item
http://name.umdl.umich.edu/A39003.0001.001
Cite this Item
"The Excellency of the pen and pencil exemplifying the uses of them in the most exquisite and mysterious arts of drawing, etching, engraving, limning, painting in oyl, washing of maps & pictures, also the way to cleanse any old painting, and preserve the colours : collected from the writings of the ablest masters both ancient and modern, as Albert Durer, P. Lomantius, and divers others ; furnished with divers cuts in copper, being copied from the best masters ..." In the digital collection Early English Books Online. https://name.umdl.umich.edu/A39003.0001.001. University of Michigan Library Digital Collections. Accessed June 13, 2024.

Pages

1. For a Fair Complexion.

Take a little White, and twice as much Vermi∣lion, and as much Lake, temper these well together upon your Pallat with the flat blade of your knife; lay aside by it self on your Pallat the greatest quan∣tity of this to be used for the deepest Carnation of the Face.

Put more White to that which remains, and tem∣per that well with your knife, and being well tem∣pered lay some of that aside also for your lighter Carnation.

Page 95

To the remainder add yet more White, and tem∣per it upon your Pallat till you have brought it to the lightest colour of your Face.

Your Carnations being thus tempered, and or∣derly laid upon your Pallat, prepare your faint Sha∣dows. For which,

Take Smalt, and mix it with a little White, which may serve for the Eyes; lay aside the greatest quan∣tity, and to the rest add a little Pink, this well tem∣pered and laid by it self will serve for the faint green∣ish shadows in the Face.

Now prepare your deep Shadows; for which take Lake, Pink, and Black, of each a like quantity, temper all these together.

If the parties Face you are to draw, or the Picture you are to copie do require the Shadows to be red∣der than what you have tempered, then add a little more Lake; if yellower, add a little more Pink; if blewer or grayer, add a little more Black.

This done, your Pallat is prepared with Colours for any fair Face.

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