IMAGINES,
Images and Portraic•••• of Ancestors, which noble Romans kept un∣der the Porches of their Houses, in wooden cases made for that purpose, which wor•• carried at their Funeral Pomps or Trium∣phal Entries.
These Images were commonly made of Wax or Wood, and some of them were of Marble or Brass; and when the House was sold, it was not allowed them to remove 〈◊〉〈◊〉 out of their places.
Appius Claudius was the first who placed them in the Temples of the Gods, 259 years after the foundation of Rome, with Inscrip∣tions mentioning the Origines of those An∣cestors and their brave Archievements.
Polybius a Greek Historian reports, that these Images represented Faces in basso relievo to the life, so that they were shut up in wooden cases, which were open in days of solemn Feasts and publick Sacrifices; and that they were adorn'd suitable to their Dignities, and crown'd with Garlands of Flowers. Flo∣vius Vopiscus assures us, that amongst the pub∣lick Rejoycings at Rome, when the Senate elected Tacitus Emperor, the Romans in all their Houses open'd the cases of the Images of their Ancestors, and offered white Victims in sacrifice.
Cornolius Tacitus writes, that in the Funeral Parade of Junia, Cato's eldest Daughter, Cas∣sius's Wife, and Sister to Brutus, they carried the Pictures of twenty Illustrious Families, viz. the Quintilians, Manlians, and other great Families of the Empire. We read also, that Julius Caesar, to shew the greatness of his Fa∣mily, ordered that the Pictures of Marins should be carried at the Funeral Pomp of his Aunt; and that at the Funeral Parade of Drusus, Tiberius commanded they should car∣ry the Pictures of the Caesar's Family, since Aeneas and the King of Alba; till Romulus the Founder of the Empire, and that after them