Clievelandi Vindiciæ, or, Clieveland's genuine poems, orations, epistles, &c. purged from the many false and spurious ones which had usurped his name, and from innumerable errours and corruptions in the true copies : to which are added many never printed before, with an account of the author's life.
About this Item
- Title
- Clievelandi Vindiciæ, or, Clieveland's genuine poems, orations, epistles, &c. purged from the many false and spurious ones which had usurped his name, and from innumerable errours and corruptions in the true copies : to which are added many never printed before, with an account of the author's life.
- Author
- Cleveland, John, 1613-1658.
- Publication
- London :: Printed for Robert Harford ...,
- 1677.
- Rights/Permissions
-
To the extent possible under law, the Text Creation Partnership has waived all copyright and related or neighboring rights to this keyboarded and encoded edition of the work described above, according to the terms of the CC0 1.0 Public Domain Dedication (http://creativecommons.org/publicdomain/zero/1.0/). This waiver does not extend to any page images or other supplementary files associated with this work, which may be protected by copyright or other license restrictions. Please go to http://www.textcreationpartnership.org/ for more information.
- Subject terms
- Cleveland, John, 1613-1658.
- Link to this Item
-
http://name.umdl.umich.edu/A33433.0001.001
- Cite this Item
-
"Clievelandi Vindiciæ, or, Clieveland's genuine poems, orations, epistles, &c. purged from the many false and spurious ones which had usurped his name, and from innumerable errours and corruptions in the true copies : to which are added many never printed before, with an account of the author's life." In the digital collection Early English Books Online. https://name.umdl.umich.edu/A33433.0001.001. University of Michigan Library Digital Collections. Accessed June 18, 2024.
Pages
Page 81
'Tis true, for common formal Elegies
Not Bushel's Wells can Match a Poet's Eyes
In wanton Water-Works; he'll tune his Tears
From a Geneva-Jig up to the Spheres:
But then he mourns at distance, weeps aloof,
Now that the Conduit Head is our own Roof,
Now that the Fate is Publick, (we may call
It Britain's Vespers, England's Funeral)
Who hath a Pencil to express the Saint,
But he hath Eyes too washing off the Paint?
There is no Learning but what Tears surround,
Like to Seth's Pillars in the Deluge drown'd.
There is no Church, Religion is grown
So much of late that she's encreast to none.
Like an Hydropick Body full of Rheumes,
First swells into a bubble, then consumes.
The Law is dead, or cast into a Trance,
And by a Law dough-bak'd an Ordinance.
The Liturgy, whose doom was voted next,
Did as a Comment upon him the Text.
There's nothing lives, Life is, since he is gone,
But a Nocturnal Lucubration.
Thus you have seen Death's Inventory read,
In the Summ total Canterbury's dead.
A sight would make a Pagan to baptize
Himself a Convert in his bleeding Ey••s.
Page 82
Would thaw the Rabble, that fierce Beast of ours,
That which Hyena-like weeps and devours
Tears that flow brackish from their Souls within,
Not to repent, but pickle up their Sin.
Mean time no squalid Grief his Look defiles,
He guilds his sadder Fate with nobler Smiles.
Thus the World's Eye with reconciled Streams
Shines in his showers, as if he wept his beams.
How could Success such Villanies applaud?
The State in Strafford fell, the Church in Land,
The Twins of publick rage, adjudg'd to die
For Treasons they should act by Prophecie.
The Facts were done before the Laws were made,
The Trump turn'd up after the Game was play'd.
Be dull great Spirits, and forbear to climb;
For Worth is Sin, and Eminence a Crime.
No Church-man can be Innocent and High,
'Tis height makes Grantham Steeple stand awry.