double Lines (equidistant at pleasure) on both sides of the Ho∣rizon H h; and here also by the blind Lines, and by the fair ones, you have before your Eyes what is necessary to be exprest on your fair Plane, and what not.
Nor is there any difference in the Construction of a West-Dial, except it be in turning on your draught the Hour-Lines or Parallels the other way, to the end they may all point North∣wards on their respective Planes; for thus (in Sch. 11.) do the Prick Lines (m 8, n 7, c 6, o 5, s 4, t 3, u 2 and z 1.) which would truly represent this Dial, if they were produced in the said Scheme.
Now for the Substilar 'tis the 6 a Clock Hour Line, since that Hour Circle falls on the Plane at right Angles, and as for the Cock it may be a Gallows Stile (as in Scheme 13) or a Pin (as in Scheme 14) so it be plac't on the Substilar and perpendicular to it, having its height equal to the Distance between the Pricks or Asterisks C and P in the said 11 Scheme, or (which is all one) to the distance between K and X. viz. the nearest distance between the Substilar, and the 9 a Clock hour line in an East-Dial, and the Substilar and the 3 a Clock Line in a West Dial.
But here you are to remember, that when I say, that the height of the Stile is to be equal to the distance between C and P. I mean in rigour equal to the Sine, and not the Chord of that Arch; but seeing the Chord of 10 Degrees, differs not sensibly from the Sine (and by the way the Arch CP on the Globe will not be above 10 Degrees from the Meridian,) the interval be∣tween C and P will serve the Turn. But if you would be more exact take between your Compasses the distance of double CP, to wit the interval of (suppose) 20 degrees, and half of it is the required distance; for half the Chord of 20 Deg. is equal to the Sine of 10. Or if you, please you may erect a needle at C Paralel to P (the elevated Pole of the Globe) and the distance between them will be the true Height of your Stile. To Conclude, You may contract and enlarge these Dials as you please, by draw∣ing the hour-lines twice or thrice (or according to any other proportion) nearer or farther asunder, and so abateing or heightning in the like manner your Stile.
The Demonstration is obvious, for since the points M, N, C, O, S, T, V and Z in the upper part of the blindCircle or Plane, and the Points μ, ν, π, ο, σ, τ, ••, ζ, on the lower part of it are (by being equal in distance to those on the Arch) the intersections of