Orlando furioso in English heroical verse, by Sr Iohn Haringto[n] of Bathe Knight.
About this Item
- Title
- Orlando furioso in English heroical verse, by Sr Iohn Haringto[n] of Bathe Knight.
- Author
- Ariosto, Lodovico, 1474-1533.
- Publication
- [Imprinted at London :: By Richard Field, for Iohn Norton and Simon VVaterson,
- 1607]
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http://name.umdl.umich.edu/A21106.0001.001
- Cite this Item
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"Orlando furioso in English heroical verse, by Sr Iohn Haringto[n] of Bathe Knight." In the digital collection Early English Books Online. https://name.umdl.umich.edu/A21106.0001.001. University of Michigan Library Digital Collections. Accessed May 8, 2025.
Pages
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In this first booke may be noted in Angelica the vngratefulnes of women to their worthiest suters.* 1.37 In the foure knights, the passionate affections of loue and fancy. And whereas first Bradamant, and after Renaldo interrupt Sacrapant of his lasciuious purpose, may be noted, both the weake holdfast that men haue of worldly pleasures, as also how the heauens do euer fauour chast desires. Lastly, in the two fountaines may be noted the two notable contrarieties of the two affections, of loue and disdaine, that infinite sorts of people daily tast of, while they runne wandring in that inextricable labyrinth of loue.
Concerning the historie,* 1.38 we find that in the time of Charles the great (called Charlemaine) sonne of Pepin king of France, the Turkes with a great power inuaded Christendome, Spaine being then out of the faith, (as some part thereof was euen within these four score yeares, namely Granada, which was held by the Moores.) And one Marcus Antonius Sabellicus writeth, that for certaintie there liued in that time of Charlemaine, many of those famous Palladines, that are in this worke so often named, and especially he maketh mention of Renaldo and Orlando, affirming that they were indeed very martiall men, and how Charles obtained great victories by their seruice; and namely he talleth of one Fer∣raw a Spaniard of great stature and strength, who tooke certaine Frenchmen prisoners, afterward rescued by Orlando, which Orlando fought with him hand to hand two whole dayes, and the second vanquisht him. Further, the same author affirmeth, that the same Charlemaine, for his great fauour shewed to the Church of Rome, was by Leo the third named Emperour of Rome: and that he was a iust, a fortunate, and a mercifull Prince, and one that within Europe as well as without did attaine great conquests, suppressing the violent gouernement of the Lombards, and taming the rebelli∣ous Saxons, Huns and Baudrians, and conquering a great part of Spaine: all which testimonies shew, that the ground of this Poeme is true, as I shall haue particular occasion in sundry of the books ensuing to note: and thus much for the story.
For the allegory,* 1.39 in this Canto I find not much to be said, except one should be so curious to search for an allegory where none is intended by the author himself: yet an allegory may not vnfitly be gathered of the description of Bayardos follow∣ing Angelica, which may thus be taken. Bayardo a strong horse, without rider or gouernor, is likened to the desire of mā, that runs furiously after Angelica, as it were after pleasure or honor, or whatsoeuer man doth most inordinately affect.
Likewise in that Angelica flieth from Renaldo, we may take an allegorical instruction, that the temtations of the flesh are ouercome, chiefly by flying from them, as the Scripture it selfe teacheth, saying, Resist the diuel, but fly fornication.
Further, in that Bayardo striketh at Sacrapant, but yeeldeth to Angelica, it may be noted how the courage of our minds that cannot be abated with any force, are often subdued by flatterie and gentle vsage, till they be in the end euen ridden as it were with slauerie.
And whereas Renaldo followes Angelica on foote, some haue noted thereby to be meant sensualitie, that is euer in base and earthly, or rather beastly affections, neuer looking vpward.
For Allusions,* 1.40 there are not any worth the noting in this Canto, saue that it seemes in Renaldos horse Bayardo, he seemes to allude to Buccphalus Alexanders horse.
Notes
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a 1.1
The ••••••inning is 〈◊〉〈◊〉 by imi∣tation ••••••n Vir∣gil, 〈◊〉〈◊〉 1. of his 〈◊〉〈◊〉, Arma 〈◊〉〈◊〉 cano.
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b 1.2
〈◊〉〈◊〉 bere∣〈…〉〈…〉 mistresse, 〈◊〉〈◊〉 speakes 〈◊〉〈◊〉 on the 〈◊〉〈◊〉 staffe.
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c 1.3
〈◊〉〈◊〉 by the 〈◊〉〈◊〉 intended 〈◊〉〈◊〉 Hip∣〈◊〉〈◊〉 by the 〈◊〉〈◊〉 to a 〈◊〉〈◊〉 more
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d 1.4
Imitati•• of V••¦gel to Octa••i••s: Atque hau•• sin•• tempora circum ••nter felaces hede∣tam ••ib•• s••rpere laures.
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e 1.5
This hath refe∣rence to a former treatise called Orlandos loues, written by one Boyardus.
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f 1.6
The hilles that part France and Spa••••e.
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* 1.7
Nam••s D••ke of Ba••er.
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* 1.8
Sim••le. Imitatió of Vir∣gil 2. Ae••ead. Improussu•••• as∣sirus v••luse qua sentibus angue.
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* 1.9
Renaldo his horses name was Lisardo.
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* 1.10
Ferraw•••• nisb Knigh••.
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* 1.11
Riuals are those that be ••••strs to one 〈◊〉〈◊〉, as are competitors to 〈…〉〈…〉.
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* 1.12
Ferra••.
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* 1.13
Pepler 〈◊〉〈◊〉 a tree that groweth by the water like a Willow.
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* 1.14
The ghost of Ar∣ga••
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* 1.15
This is a fit dee••∣rum, so to make Ferr••nv to swet•• by his mothers life, which is the Spanish manner.
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* 1.16
He finds Orlādo, the 12. booke in Atlantes inchā∣ted pallace, the 28. staffe.
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* 1.17
He finds his horse t••u book 77. staff
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* 1.18
Eimil••.
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* 1.19
The lamentation of Sacrap••••.
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* 1.20
Simile. This is 〈◊〉〈◊〉 of Catuli•• greatly 〈◊〉〈◊〉 V•• flos is secretus 〈◊〉〈◊〉 hortis, &c.
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* 1.21
The flour de•• taken for Fi•• it selfe, be•••• armes of Fi••
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* 1.22
Simile.
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* 1.23
This is the phrase of the cast coun∣trie people: peace be to you.
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* 1.24
Such; 〈◊〉〈◊〉 respect of his 〈…〉〈…〉 that he discoue∣red afore. Simile.
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* 1.25
S••ntence.
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* 1.26
Orlando was Lord of Anglant
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* 1.27
Ouid. vim licet appelles. grata est vis illa puellu, quod tuuas in∣uita, sape dedisse toiu••.t.
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* 1.28
Bradamam.
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* 1.29
Simile.
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* 1.30
Simile 7 ••••ke is in Da 1 of goats.
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* 1.31
Simile. The hbe u in O u••d de tre••ts us 3 Fle. H••ud a. ••t••r ••lu••; u•• quato qus Iouu igni••••s actus v••u••t 〈◊〉〈◊〉 est vita ••es••••us ••ps•• su••.
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* 1.32
This post 〈◊〉〈◊〉 taketh Bi•• Bookes••••
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* 1.33
Bayardo•• to Bucep•••• that he in suffer no•• quietly 〈◊〉〈◊〉 master.
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* 1.34
Simile.
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* 1.35
Albracca•• in the 〈◊〉〈◊〉 table.
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* 1.36
••••id 1. 〈…〉〈…〉 to be true 〈◊〉〈◊〉 of 〈…〉〈…〉 ••••ope. 〈…〉〈…〉.
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* 1.37
The Morall.
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* 1.38
The Historie.
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* 1.39
Allegorie.
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* 1.40
Allusion.