Orlando furioso in English heroical verse, by Sr Iohn Haringto[n] of Bathe Knight.
About this Item
- Title
- Orlando furioso in English heroical verse, by Sr Iohn Haringto[n] of Bathe Knight.
- Author
- Ariosto, Lodovico, 1474-1533.
- Publication
- [Imprinted at London :: By Richard Field, for Iohn Norton and Simon VVaterson,
- 1607]
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To the extent possible under law, the Text Creation Partnership has waived all copyright and related or neighboring rights to this keyboarded and encoded edition of the work described above, according to the terms of the CC0 1.0 Public Domain Dedication (http://creativecommons.org/publicdomain/zero/1.0/). This waiver does not extend to any page images or other supplementary files associated with this work, which may be protected by copyright or other license restrictions. Please go to http://www.textcreationpartnership.org/ for more information.
- Link to this Item
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http://name.umdl.umich.edu/A21106.0001.001
- Cite this Item
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"Orlando furioso in English heroical verse, by Sr Iohn Haringto[n] of Bathe Knight." In the digital collection Early English Books Online. https://name.umdl.umich.edu/A21106.0001.001. University of Michigan Library Digital Collections. Accessed June 9, 2024.
Pages
Page 190
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* 1.39In the great offence of Oderike, and the notable clemencie of Zerbino in pardoning the same, we may note in the one the great frailtie of men in offending (specially in this kinde of fleshly concupiscene,) in the other a notable magnanimi∣tie as well as mercie in forgiuing him: For that (indeed) is true clemencie in a Prince, to forgiue that offence that is com∣mitted against his priuat (as they call it) that is, against his owne person, rather then that, which is done against the law, for that is rather parcialitie and iniustice, then clemencie. Secondly we may obserue both in Zerbino and Isabella, a notable example of gratitude toward Orlando, first in gathering his dispersed armour, next in that Zerbino fought with Mandricardo in defence of Orlandos sword, in which conflict he receives his deaths wound, and though indeed, all that is told of this couple, tendeth to a tragicall end, yet is it withall set downe by my author in a sort, to moue so great compassion, that it seemes all that read it are as it were in loue with them, and lament their so vnfortunate end; which hath made me say sometimes (in sport) to some of mine honorable frends, that if I could without wronging mine author, I would surely have saned their liues, or giuen them a more fortunate end: though (to say true) sith an end is of necessi∣tie due to all mankind, what more honorable death can a Prince have, then by a wound in fight, specially for a good quarrell? what more sweet death, then in her beloued armes whom he was bethrothed to, and intended to marrie? what more happie reward, then same and loue in this world, and heaven in the next? Further though Isabella were after slain by Rodomont in h•••• drunkennues, as is noted in the xxix. booke, yet that notable title that is there given her (the mar∣tir of chastitie) makes her so famous, and her vertue so admirable, as she could never have wisht a better end if she had lived as long as Hecuba. Wherefore if it be true that Ouid said of Cadmus,
—Scilicet vltima semper, Expect and a dies homini, dicique beatus Anteobitum nemo, supremaque funera debet. In English thus, Our onely dying day, and end doth show If that a man haue happie beene or no.Then (I say) by the death of these two, though in shew vnfortunate yet in deed most glorious, they may be called happie. Lastly, for the end of this morall, we may take one speciall obseruation of great integritie in the religious man, that con∣verted her to the faith, and yet afterward would not trust himselfe alone with her; for in the fleshly conflicts and temp∣tations, the onely way to conquer, is to play the coward and runne away, and thus much for the morall.
* 1.40The examples of the vertuous women that are praised by the hermit (though not named) in the 72. Staffe of this booke, are many, recited in the Scripture it selfe: as namely the blessed virgin Marie, Anne, and Magdalen, all which be tooke themselues most deuoutly to the seruice of God, and therefore are worthy to be canonized for examples of chasti∣tie and zeale of religion.
* 1.41In the sodaine parting of the fray betweene the two famous riuals, onely vpon the commandement of Doralice, with whom they were both exceedingly in loue, thus allegorically is supposed to be meant that the strongest passions that are, as anger, and revenge, or what else soeuer, are often ouermastered with loue.
* 1.42The speech of Isabella to Zerbino, wishing to die at the same instant with him, alludes to the wish of good Baweis and Philemon.
—Quomam concordes egimus annos, Auferat hor a duos eadem, nec coniugis vnquam, Busta meae videam nee sim tumulandus ab illa.
Notes
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* 1.1
Sentence.
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* 1.2
〈◊〉〈◊〉: Virgil ••aith of Dido. ••ri ••infoelix Dido tota•• va∣gatur ••rbe furens.
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* 1.3
Sentence.
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* 1.4
Sentence.
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* 1.5
Simile.
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* 1.6
Sentence.
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* 1.7
Simile.
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* 1.8
He returneth to Orlando in the 29 booke the 41. staffe.
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* 1.9
Oderik taken pro∣soner & brought to Zerbino.
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* 1.10
Almonios speech
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* 1.11
Great praise in 〈◊〉〈◊〉 Prince to pro∣•••••••• innocent 〈◊〉〈◊〉 not malesa∣••••••.
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* 1.12
Odrick speech.
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* 1.13
Sentence.
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* 1.14
Sentence.
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* 1.15
Simile
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* 1.16
Sentence
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* 1.17
Sentence.
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* 1.18
Sentence.
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* 1.19
Sentence.
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* 1.20
Odricks punish∣ment.
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* 1.21
Gabrinas death.
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* 1.22
Hector.
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* 1.23
Fiordeliege.
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* 1.24
Astolfo de 〈◊〉〈◊〉 this inchantments Booke 22.
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* 1.25
At the b••r••l of knights of •• order, or great persons, they 〈◊〉〈◊〉 up their arms with a sword a beadpeece.
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* 1.26
Mandricard.
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* 1.27
The combat be∣tweene Mandri∣card & Zerbino.
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* 1.28
〈◊〉〈◊〉
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* 1.29
He turnes to Mandricard in this book, 76. staf.
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* 1.30
He returnes to Fiordeliege and Orlando both, in the 29 books, 44▪ staffe.
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* 1.31
Horace hath the like to this. Ah re, mee si partemanima rapit. Maturier vis, quid mor•••• al∣teral
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* 1.32
〈◊〉〈◊〉
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* 1.33
Looks in the story of the 〈◊〉〈◊〉
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* 1.34
There is 〈◊〉〈◊〉 made 〈◊〉〈◊〉 marriage, therefore 〈◊〉〈◊〉 (being a 〈◊〉〈◊〉 though 〈◊〉〈◊〉 to her gra••••
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* 1.35
He 〈◊〉〈◊〉 bell in the 〈◊〉〈◊〉 booke. 90 〈◊〉〈◊〉
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* 1.36
•• phrase to 〈◊〉〈◊〉 fire out of e••es and to 〈…〉〈…〉 see 〈◊〉〈◊〉 a•• noone.
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* 1.37
Simile.
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* 1.38
Another phrase to strike one to make him think it night, as the Spaniard that had but one eye, hauing the to∣ther strike ••n 〈◊〉〈◊〉 at tennis, said Buenas Noches.
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* 1.39
Morall.
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* 1.40
Historie.
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* 1.41
Allegorie.
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* 1.42
Allusion.