behold it, as all Play-haunters doe, without ap∣probation [ 2] and delight. Secondly, a man may read a Play without any prodigall vaine expence of money, or over-great losse of time: but none can compile, or act, or see a Stage-play without losse of time, of money, which [ 3] should bee better imployed: Thirdly, Stage-playes may be privately read over without any danger of in∣fection by ill company, without any publike infamy or scandall, without giving any ill example, without any incouraging or maintaining of Players in their un∣godly profession, or without participating with them in their sinnes; but they can neither be compiled, beheld, or acted, without these severall unlawfull circumstan∣ces which cannot be avoyded.
[ 4] Fourthly, Stageplayes may be read without using or beholding any effeminate amorous, lustfull gestures, complements, kisses, dalliances, or embracements; any whorish, immodest, fantastique, womanish appa∣rell, Vizards, disguises; any lively representations of Venery, whoredome, adultery, and the like, which are apt to enrage mens lusts: without hypocrisie, fei∣ning, cheats, lascivious tunes and dances, with such other unlawfull Stage ingredients or concomitants: but they can neither be seene nor acted, without all, or most of these. Fiftly, he that reades a Stage-play may passe by all obscene or amorous passages, all prophane or [ 5] scurrill Iests, all heathenish oathes and execrations even with detestation; but he who makes, who acts, who heares, or viewes a Stage-play acted, hath no such liberty left him, but hee must act, recite, behold and heare them all. Yea sometimes such who act the Clowne or amorous person, adde many obscene lasci∣vious jests and passages of their owne, by way of ap∣pendix, to delight the auditors, which were not in [ 6] their parts before. Lastly, when a man reads a Play, he ever wants that viva vox, that flexanimous rhe∣toricall Stage-elocution, that lively action and repre∣sentation