Andreas Ornithoparcus his Micrologus, or Introduction: containing the art of singing Digested into foure bookes. Not onely profitable, but also necessary for all that are studious of musicke. Also the dimension and perfect vse of the monochord, according to Guido Aretinus. By Iohn Douland lutenist, lute-player, and Bachelor of Musicke in both the Vniuersities. 1609.

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Title: Andreas Ornithoparcus his Micrologus, or Introduction: containing the art of singing Digested into foure bookes. Not onely profitable, but also necessary for all that are studious of musicke. Also the dimension and perfect vse of the monochord, according to Guido Aretinus. By Iohn Douland lutenist, lute-player, and Bachelor of Musicke in both the Vniuersities. 1609.
Author: Ornithoparchus, Andreas, 16th cent.
Publication: London :: Printed [by Thomas Snodham] for Thomas Adams, dwelling in Paules Church-yard, at the signe of the white Lion,; [1609]
Rights/Permissions: To the extent possible under law, the Text Creation Partnership has waived all copyright and related or neighboring rights to this keyboarded and encoded edition of the work described above, according to the terms of the CC0 1.0 Public Domain Dedication (http://creativecommons.org/publicdomain/zero/1.0/). This waiver does not extend to any page images or other supplementary files associated with this work, which may be protected by copyright or other license restrictions. Please go to http://www.textcreationpartnership.org/ for more information.
Subject terms: Music theory -- History -- 17th century -- Early works to 1800.
Link to this Item: http://name.umdl.umich.edu/A08534.0001.001
Cite this Item: "Andreas Ornithoparcus his Micrologus, or Introduction: containing the art of singing Digested into foure bookes. Not onely profitable, but also necessary for all that are studious of musicke. Also the dimension and perfect vse of the monochord, according to Guido Aretinus. By Iohn Douland lutenist, lute-player, and Bachelor of Musicke in both the Vniuersities. 1609." In the digital collection Early English Books Online. https://name.umdl.umich.edu/A08534.0001.001. University of Michigan Library Digital Collections. Accessed June 3, 2024.

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Of the second Tone.

THe second Tone, (as Saint Bernard saith) is a Rule determining the Pla∣gall of the first fashion. Or it is a plagall Progression of the first. Now a plagall Progression is a descending beyond the Finall to a Fift, or at least a fourth. His beginnings (according to Guido) are A. C. D. F. & G. & doth right∣ly possesse the extreames of the eight Authenticke, because the souldier by law of Armes, doth dwell in the Tents of his captaine. The manner of the se∣cond Tone, is thus: 〈♫〉〈♫〉 Cap. fecūdi toni. Miserator do mi nus. Hunc mundū spernes.

The tuning of the smaller Psalmes is thus out of Ffaut; the tuning of the greater out of Cfaut, thus: 〈♫〉〈♫〉 Laudate pueri do. laudate nomē do. Memento do. da. Magnificat anima mea dominum. 〈♫〉〈♫〉 The Melodie of the Uerses in the answeres of the second Tone. 〈♫〉〈♫〉 The Melodie in the beginnings of the Verses of the second Tone.