Andreas Ornithoparcus his Micrologus, or Introduction: containing the art of singing Digested into foure bookes. Not onely profitable, but also necessary for all that are studious of musicke. Also the dimension and perfect vse of the monochord, according to Guido Aretinus. By Iohn Douland lutenist, lute-player, and Bachelor of Musicke in both the Vniuersities. 1609.

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Title
Andreas Ornithoparcus his Micrologus, or Introduction: containing the art of singing Digested into foure bookes. Not onely profitable, but also necessary for all that are studious of musicke. Also the dimension and perfect vse of the monochord, according to Guido Aretinus. By Iohn Douland lutenist, lute-player, and Bachelor of Musicke in both the Vniuersities. 1609.
Author
Ornithoparchus, Andreas, 16th cent.
Publication
London :: Printed [by Thomas Snodham] for Thomas Adams, dwelling in Paules Church-yard, at the signe of the white Lion,
[1609]
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Subject terms
Music theory -- History -- 17th century -- Early works to 1800.
Link to this Item
http://name.umdl.umich.edu/A08534.0001.001
Cite this Item
"Andreas Ornithoparcus his Micrologus, or Introduction: containing the art of singing Digested into foure bookes. Not onely profitable, but also necessary for all that are studious of musicke. Also the dimension and perfect vse of the monochord, according to Guido Aretinus. By Iohn Douland lutenist, lute-player, and Bachelor of Musicke in both the Vniuersities. 1609." In the digital collection Early English Books Online. https://name.umdl.umich.edu/A08534.0001.001. University of Michigan Library Digital Collections. Accessed May 11, 2025.

Pages

Page [unnumbered]

The Epilogue and Conclusion of the Booke.

I Am to intreat the curteous Reader fauourably to view this Worke of Musical Theorems, which I haue before this some yeres past searched out, & now at last put into the forme of a booke and printed, not out of any arrogant humour, as some enuious persons wil report, but out of a desire to profit the Youth of Germany, whilst others are drousie. If the basenes of the stile, or simplenes of the words offend any man, I intreat him to attribute that to the matter which we handle, and the persons for whom it is written, namely, Children. I doubt not but there will be some, that will be soone ready to snarle at it, and to backbite it, contemning it before they read it, and disgracing it before they vnderstand it. Who had rather seeme than be Musitians, not obey∣ing Authors, or Precepts, or Reasons: but whatsoeuer comes into their haire∣braind Cockscombe, accounting that onely lawful, artificiall, and Musicall. To whom I intreat you (gentle Readers) to lend no eare. For it is a thing praise-worthy to displease the euill. Yea, (to vse the sentence of Antisthenes the Philosopher) to be backbited is a signe of greatnesse; to backebite, a token of meanesse. And because the praise of one wise man is better than the commendation of Ten fooles; I pray consider not the number, but the quality of those detractors: and thinke what an easie matter it is to silence those Pyes, and to crush such Fleas euen betwixt two nayles. Neither hearken ye to those that hate the Art: for they dissuade o∣thers from that which their dulnesse will not suffer them to attaine to, for in vaine it is to harpe before an Asse. But account that this I speake to you as a Ma∣ster, because I haue passed the Ferrular. For the cunning men in each Art must be beleeued, as the Emperours Maiestie saith. Wherefore let those courteous Rea∣ders (that be delighted with Ornithoparchus his paines taken) be contented with these few things, for as soone as I can but take breath, they shall see matters of greater worth.

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