Andreas Ornithoparcus his Micrologus, or Introduction: containing the art of singing Digested into foure bookes. Not onely profitable, but also necessary for all that are studious of musicke. Also the dimension and perfect vse of the monochord, according to Guido Aretinus. By Iohn Douland lutenist, lute-player, and Bachelor of Musicke in both the Vniuersities. 1609.

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Title
Andreas Ornithoparcus his Micrologus, or Introduction: containing the art of singing Digested into foure bookes. Not onely profitable, but also necessary for all that are studious of musicke. Also the dimension and perfect vse of the monochord, according to Guido Aretinus. By Iohn Douland lutenist, lute-player, and Bachelor of Musicke in both the Vniuersities. 1609.
Author
Ornithoparchus, Andreas, 16th cent.
Publication
London :: Printed [by Thomas Snodham] for Thomas Adams, dwelling in Paules Church-yard, at the signe of the white Lion,
[1609]
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Subject terms
Music theory -- History -- 17th century -- Early works to 1800.
Link to this Item
http://name.umdl.umich.edu/A08534.0001.001
Cite this Item
"Andreas Ornithoparcus his Micrologus, or Introduction: containing the art of singing Digested into foure bookes. Not onely profitable, but also necessary for all that are studious of musicke. Also the dimension and perfect vse of the monochord, according to Guido Aretinus. By Iohn Douland lutenist, lute-player, and Bachelor of Musicke in both the Vniuersities. 1609." In the digital collection Early English Books Online. https://name.umdl.umich.edu/A08534.0001.001. University of Michigan Library Digital Collections. Accessed June 13, 2024.

Pages

Of Concords and Discords.

BEing that Concordance (as saith Boêtius) is the due mingling of two or more voices, and neither can be made without a Sound, nor a Sound without beating, nor beating without Motion, it is necessary motion be diuided. Of motions therefore some be equall, some vne∣quall. Now it is plaine, that out of the equality of Motions doe proceed equall sounds, and out of the inequality of it, vnequal sounds: and out of the mean inequalitie doe proceed consonant Sounds, out of the greater inequalitie, Discords. Hence is it, that the Pythagoreans concluded, that no Concord could be beyond the Disdiapason (as before appeared lib. 1. cap. 5.) because of the too great distance of the extreames. By how much therefore Sounds are neerer one another, they are so much the sweeter? and the further they are distant one from another, the lesse they agree. Which I doe chiefly proue to come by the inequall falling of such sounds into the eares, because a Con∣sonance is a mixture of two Sounds, falling into the eares vniformely. For high Sounds are heard sooner, than base Sounds. As a sharpe Sword pier∣ceth quicker, whereas a blunt one doth not so, but enters slowly: euen so when we heare an high forced Voyce, it strikes into one: but a base voyce doth dully, as it were thrust at one, saith Coelius lib. 10. cap. 53.

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