Act. II. Scene II.
FOrrester, giue winde to thy borne. Inough, by this, the sound hath toucht the eares of the enclosed: Depart, leaue the dogge, and take with thee what thou hast deseru'd, the horne, and thankes.
I, mary, there's some taste in this.
Is't not good?
Ah, peace, now aboue, now aboue!
Stay: mine eye hath (on the instant) through the bountie of the window, receiu'd the forme of a Nymph. I will step forward three pa∣ses: of the which, I will barely retire one; and (after some little flexure of the knee) with an erected grace salute her (one, two, and three.) Sweet lady, God saue you.
No, forsooth: I am but the waiting gentlewoman.
He knew that before.
Pardon me: Humanum est errare.
He learn'd that of his chaplaine.
To the perfection of complement (which is the Diall of the thought, and guided by the Sunne of your beauties) are requir'd these three specials: the gnomon, the puntilio's, and the superficies: the superficies, is that we call, place; the puntilio's, circumstance; and the gnomon, ceremo∣ny: in either of which, for a stranger to erre, 'tis easie and facile, and such am I.
True, not knowing her horizon, he must needes erre: which I feare, he knowes too well.
What call you the lord of the castle? sweet face.
The lord of the castle is a knight, sir; Signior PVNTAR∣VOLO.
PVNTARVOLO? O.
Now must he ruminate.
Does the wench know him all this while, then?
O, doc you know me, man? why, therein lies the sirrup of the iest, it's a proiect, a designement of his owne, a thing studied, and re∣hearst as ordinarily at his comming from hawking, or hunting, as a jigge after a play.
I, e'en like your jigge, sir.
'Tis a most sumptuous and stately edifice! of what yeeres is the knight, faire damsell?
Faith, much about your yeeres, sir.