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THE TEMPLE OF LOVE.
AT the lower end of the Banquetting-house, op∣posite to the State, was a Stage of six foot high, and on that was raised an Ornament of a new Invention agreeable to the Subject; consisting of Indian Trophees: on the one side upon a basement sate a na∣ked Indian on a whitish Elephant, his legges shortning towards the necke of the beast, his tire and bases of se∣verall coloured feathers, representing the Indian Mo∣narchy: On the other side an Asiatique in the habit of an Indian borderer, riding on a Camell; his Turbant and Coat differing from that of the Turkes, figured for the Asian Monarchy: over these hung sheild like Compar∣timents: In that over the Indian was painted a Sunne rising, and in the other an halfe Moone; these had for finishing the Capitall of a great pillaster, which served as a ground to sticke them of, and bore up a large freeze or border with a Coronice. In this over the Indian lay the figure of an old man, with a long white haire and beard, representing the flood Tigris; on his head a wreath of Canes and Seage, and leaning upon a great Vrne, out of which runne water, by him in an extrava∣gant posture stood a Tyger.
At the other end of this freeze lay another naked man, representing Meander, the famous River of Asia, who likewise had a great silver urne, and by him lay an Vnicorne.
In the midst of this border was fixed a rich Comparti∣ment,